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Celebrating Bangkok

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Pusit Pattanaprakarn with a painting from illustrator Sahred Toy.

Another Story’s first anniversary

Another Story lifestyle concept store, 4th floor, The Helix Quartier, The EmQuartier

HOST: Maryse Kraatz and Wipa Umpujh, executives of The Mall Group

HIGHLIGHT: Held under the “Ich Bin Ein Bangkokian” or “I am a Bangkokian” theme, Another Story’s celebration vision of Bangkok was told through art, music, food, photography and design. Among the highlights were Tachaya Patumwan from The Voice Thailand; a live portrait illustration led by Hathairat Charoenchaichana aka Oh Futon; a unique photo exhibition by Dream Patit, Vibesvisual and Jakarin; and the launch of special collections to mark the first anniversary such as The Giant Swing paper weight, Amazing Muay Thai pop card, Bangkok map postcard, Bangkokian-style terrarium and more. These special collections were created by 14 leading brands — 5ive sis, Amazing Muaythai, Fillet Wood, Labrador, Mon Studio, OMY, Op, PAMI, Selvedge Work, Talented, The Sleeveless Garden, Tiny Tree, UglyCute and Wentworth Wooden Puzzles

Pokchat Thiamchai.

Matthew Deane.

Ploychompu Umpujh.

Chompunood Rojsiriruch and Tawanna Thara.

Pimpreecha Deeswasdi and Kornkanok Yongsakul.

Pattreeda and Nualtong Prasarnthong.

Wipa Umpujh, senior manager for Retail Development of The Mall Group, and Supaluck Umpujh, vice-chairwoman of The Mall Group.

Poomsak and Siriorn Teankaprasith.

Maryse Kraatz.

From left, Jirat Pornpanitpan, Hathairat Charoenchaichana, Maryse Kraatz, Supaluck Umpujh, Malinee Subboriboon, Wipa Umpujh and Gun Ratanaporn.

 

This source first appeared on Bangkok Post Lifestyle.


Turn up the heat

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Banyan Tree Spa Bangkok. Banyan Tree Bangkok

Having candle wax poured on the body may sound a bit kinky, but Banyan Tree Spa Bangkok’s new Candle Massage is not about naughty wax play. It’s an impressive ritual to feel blissed out and forget the world.

Created by Banyan Tree Spa Academy to celebrate the Bangkok hotel’s 20th anniversary, the indulgent treatment makes use of the therapeutic attributes of melted soy massage candle, Eastern healing therapies and genuine human touch.

The masseuse gives you a welcoming foot bath/scrub, hand massage and foot massage before diving right into the treatment, in a spacious, tranquil treatment suite featuring flickering candlelight and a night sky fibre optic light ceiling to uplift the mood.

The sublime treatment provides a full dose of relaxing full-body massage throughout 90 minutes. Using flowing strokes with medium to strong pressure customised to your needs, this blissful experience eases tired muscles and melts tension away. The massage techniques work well together with the warm melted candle wax to give relief to tense, tired and painful muscles. While the mild lavender scent soothes and calms, the melted wax becomes a buttery balm offering intense moisture and rich nourishment for the skin.

Enjoy post-treatment refreshments and lounge in the relaxation area to get totally recharged and ready for the city’s hustle and bustle.

The new treatment not on the menu yet but spa-goers can take joy in this celebratory indulgence from now until Nov 30 at a special price of 4,500 baht (from 6,120 baht).


Spree: Lavender Pampering Perfection offering lavender foot ritual, lavender aroma massage and lavender honey brightening face mask (available until Sept 30)

Sanctuary: The Okura Spa, The Okura Prestige Bangkok, 02-687-9000

Spare: 100 mins

Spend: 3,900++ baht


Spree: Marma Abhyanga Magical Massage highlighting pressure point massage using Ayurvedic medicated oils

Sanctuary: Spa Cenvaree, Centara Grand and Bangkok Convention Centre at CentralWorld, 02-100-1234 ext 6511, 6516

Spare: 60 or 90 mins

Spend: 2,400++ or 2,800 ++ baht


Spree: Pampering Treatment Package including stress-free aroma foot soak, neck-back-shoulder massage and a detoxifying facial

Sanctuary: Aetaspa, Aetas Bangkok, 02-618-9131

Spare: 120 mins

Spend: 2,500++ baht per person, 4,800++ baht for couple

 

This source first appeared on Bangkok Post Lifestyle.

Life in the forests

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Forest watersheds are often the origin of creeks and rivers, leading to some beautiful waterfalls. Nauvarat Suksamran

Sitting in an air-conditioned room is not helping 60 young students cool down as they get involved in a fiery debate over the critical topic of forests and water.

“The ongoing drought and the potential water shortage are all related to forest areas declining at an alarming speed the world over, including Thailand,” Siraphat Phattarabenjapol, a Grade 11 student of Panyarat High School in Bang Rak district of Bangkok, said as her affirmative team took to the floor in a debate held to mark International Day of Forests on March 21.

“The forest-water relationship is complex and closely tied to rainfall patterns, types of vegetation grown and water management effectiveness, not just the absence of forests,” a team from Mahidol International Demonstration School representing the negative side said to oppose the affirmative team’s statement.

The debate was co-organised by the Food and Agriculture Organisation (FAO), the Centre for People and Forests (RECOFTC) and the United Nations Environment Programme (UNEP) as part of global activities to raise awareness among the young of how forests are key to fresh water supplies. At the time, drought problems were badly affecting Thailand which was witnessing dwindling availability of water and other natural resources.

A member of the negative team from Mahidol International Demonstration School defends the statement ‘Forests increase water quantity’ made by Panyarat High School.

Experts have noted that the water issue has been at the centre of attention of the public and policy makers in recent years. The underlying challenge for the decision makers was how to the harness the use of water while being able to better mitigate the effects between the extremes of weather such as heavy floods one year and widespread drought the next.

FAO’s Regional Office for Asia and the Pacific together with RECOFTC and the UNEP have worked since 2014 to organise activities aimed at Bangkok-based high school and university students. Most of the young participants were either members of a debate club or studying at natural resources management faculties.

Schools which participated in this year’s event included Panyarat High School, Mahidol University International Demonstration School, Anglo Singapore International School, Garden International School, Traill International School and NIST International School.

Tall trees are a common feature of forest watersheds. Nauvarat Suksamran

Prior to the debate round, each team was assigned to collect information and prepare speeches. They were given around two weeks in which to research the issues related to the topics with their teachers and mentors.

Prior to the competition, Siraphat and her teammates representing Panyarat High School researched information related to the assigned topic of “Forests increase water quantity”, one of the issues slated for this year’s debate.

Other issues were “Forests consume water so there is less for humans and agriculture”; “Forests reduce the likelihood of flooding”; “Investing in forest restoration decreases the cost of providing clean water to the people”.

“It is interesting to learn that many big cities, from San Francisco to Bangkok, depend significantly on water from watershed forests,” said Phuttaraksa “Perth” Jintavutipong, from Panyarat School.

“This fact makes me realise that the urban population is more related to the forests than we thought.

“It’s why we should responsibly consume water, electricity and other utilities, even the food we eat. Good practice should begin with us. There’s no need to wait until you have a chance to grow trees in the forest.”

Apart from practicing English language skills, each debate topic enabled the young participants to research and acquire in-depth knowledge about how forests and water sustain lives and livelihoods.

The young participants discussed how forests filter and clean the water, and how deforestation and land degradation are threatening this important function. They discussed a variety of methods that could be utilised to protect both forests and water resources.

“We are reminded every day in the news about the ongoing and intensifying drought, the farmers who are suffering from lack of water for their crops, and even potential water shortages in urban areas,” Kundhavi Kadiresan, an FAO regional representative, said in opening the debate.

Forests cover one third of the earth’s land mass, performing vital functions around the world. Around 1.6 billion people — including more than 2,000 indigenous cultures — depend on forests for their livelihoods, according to the FAO.

Forests are the most biologically-diverse ecosystems on land, home to more than 80% of the terrestrial species of animals, plants and insects. They also provide shelter, jobs and security for forest-dependent communities.

Despite all of the forests’ priceless ecological, economic, social and health benefits, global deforestation continues at an alarming rate. An estimated 13 million hectares of forest are destroyed annually. Deforestation also accounts for 12% to 20% of the global greenhouse gas emissions that contribute to climate change.

In Thailand, forest covers around one-third of the country. The rate of deforestation in Thailand has largely been brought under control and the country has seen a slight increase in forest area in recent years. Nonetheless, there are many areas of highly degraded forests in the country, with resulting landslides and excessive soil erosion taking their toll on communities and crops.

Organising a debate is a practical way to enable the young to understand new scientific information which explains the relationship between forests and water in both temperate and tropical regions, said Patrick Durst, FAO senior forestry officer.

Forest management can have significant impacts on water yield and quality, soil erosion, landslides and water availability for other uses. However, scientific evidence on forest-water relations often runs counter to traditional wisdom and long-held beliefs that have influenced policy-making at both government and community levels, sometimes with negative results.

“Introducing scientific knowledge that sometimes runs counter to conventional wisdom is a challenging but critical process that requires cooperation between forestry practitioners and all related stakeholders,” Mr Durst said.

Efforts are needed to narrow the gap between science and common understanding that sometimes is erroneous.

In the case of water management, there is a need for rational evidence-based approaches at all levels. Only in this way can forest and water management policies benefit all, including the rural poor and marginalised living in forest areas, he said.

 

This source first appeared on Bangkok Post Lifestyle.

Setting sail in the heart of Prawet

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Aquatic sports are an enjoyment for many, but for 12-year-old Praewa Pongpojwatee, the real attraction lies in the fact that they give her a sense of self-worth and a sense of freedom.

“I love being in and on the water. The expanse of empty space on the water gives me a feeling of being free that I really enjoy,” Praewa said.

Her family usually spends vacations at the beach, either in Pattaya or Hua Hin, where she swims, surfs, snorkels, as well as takes a few lessons in other aquatic sports. But when at home in Bangkok, Praewa enjoys activities at Bung Nong Bon Aquatics Centre.

“Going through water — the natural environment that we are not familiar with is an experience that is hard to compare. Ending up close to the beach is so exciting. But when I survive a session, it gives me a feeling of satisfaction and accomplishment,” she said.

Children and the public can practice a variety of aquatics sports at Bung Nong Bon Aquatics Centre in Bangkok. Pattanapong Hirunard

She said trying out the activities at the centre where she attended a training programme delivered by professional trainers gave her confidence.

Located in Prawet district, the 644-rai centre was initially set up in 1983 to serve as a water-retention area to receive floodwater in the eastern part of the city.

The Department of Drainage and Sewerage is responsible for managing water at the centre.

In 2006, it was upgraded to become an aquatic sports centre with the installation of facilities and equipment, making it the first such recreational facility set up by City Hall.

It was to serve as a tribute to His Majesty King Bhumibol Adulyadej on the 60th anniversary celebration of the king’s accession to the throne, according to Teerachai Boonsri, Senior Sports Development Officer at the Culture, Sports and Tourism Department who also serves as the centre’s chief.

Sailing is one of the King’s favourite sports. He won a gold medal for sailing in the 4th Southeast Asian Peninsular (SEAP) Games in 1967, together with Princess Ubolratana with whom he tied for points. He has also sailed the Gulf of Thailand from Hua Hin to Toey Harbour in Sattahip, covering 60 nautical miles in a 14-hour journey on the Vega 1, an OK Class dinghy which he built.

Incorporating three spacious marshlands, the centre is open for public use and is particularly geared toward students, with around 200 members using its facilities and equipment every day. That number doubles at weekends and on public holidays, according to Mr Teerachai.

“The centre brings people together who share common interests,” he said.

The aquatic centre offers pedal boats, kayaks, canoes, sculls and windsurfing. It is equipped with facilities and sports equipment that are of international standard and the membership fee — 10 baht per annum for children and 40 baht for adults — is affordable, he said.

“We want to help students develop their sporting potential and help them be healthy and happy. On top of that, we want to build equality of opportunities among students and encourage them to have a sense of fairness and their own sense of value and self-esteem, he said adding that equipment and facilities for water sports are limited in schools.

So far, the centre has promoted its services among students to urge them to use its facilities and equipment, according to Mr Teerachai.

One of the special things about the centre is that members will be coached in various sports by skilled trainers, mostly national aquatic sports athletes or former athletes.

“So, we have a glimpse of what it takes to be an athlete who represents the country. An opportunity to rub shoulders with a national athlete is quite an experience,” Praewa, a Mathayom 1 student of Nawaminthrachinuthit Triamudomsuksanomklao School, said.

Sailing is the most popular sport among members, sport development officer Kritthaya Niamchanwet said, adding that the walker bay boats are great for kids or beginners, while the Laser is a fast sailboat used for racing.

She said the centre is equipped with a wide variety of equipment for amateurs and more seasoned enthusiasts, but admitted much of it is old yet well maintained.

The centre now has 10 walker bay boats, five laser sailing craft, 10 one-seat kayaks, eight double-seat kayaks, four three-seat kayaks, three single sculls, three double sculls, 15 windsurf boards and eight rowing machines.

The centre fulfills basic requirements for aquatic sports, Ms Kritthaya said, adding that seven life guards are stationed in three locations to ensure health and safety requirements are met.

“We have strict safety standards. Trainers will check to see whether members are physically fit enough before allowing them to take part in a sport,” she said, adding the centre has had a clean safety record during since opening. Members are required to wear lifejackets and strictly follow their trainers’ instructions. Activities are banned on windy days.

Praewa’s mother, Pathum Kamlung, admitted safety was her main concern although her daughter has acquired basic swimming skills.

“We were concerned about her safety when tried surfing in the sea. Little advice was offered. She acquired skills and knows how to survive in the water after attending proper training programmes at the centre. We now feel more at ease,” Ms Pathum said.

At training sessions, Praewa was taught to understand the potential hazards involved in sporting activities and to be more conscious about safety.

“We have to keep alert and take note of warnings,” said Praewa who is learning to sail a boat.

The centre also offers a range of outdoor sports, including basketball, sepak takraw and floating futsal.

There is an outdoor space which is equipped with sports equipment for the elderly.

The centre also features a 4-km two-way separated bike lane for recreation and exercise purposes.

There are also separated bike lanes in other areas of the centre, according to Mr Teerachai.

He said the centre took advantage of the areas around the edge of the marshland by setting up bike lanes, allowing cyclists to enjoy the picturesque scenery.

The main drawback was that there was no option to borrow bicycles at the centre.

However, this service is set to launch on Monday, according Mr Teerachai.

The bike lanes cater to all people; people who are not members are also allowed to use the lanes, said Mr Teerachai.

The centre is located in Soi Chalerm Phrakiet 43 and is open from 8.30am to 7.30pm Mondays through Saturdays, and from 10.30am and 7.30pm on Sundays and holidays.

Parking is available for more than 100 vehicles.

 

This source first appeared on Bangkok Post Lifestyle.

All the way to the Olympics

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Jane Vongvorachoti.

Thai-American marathoner and 2016 Olympics qualifier Jane Vongvorachoti aims to give her best performance to date at the Rio Games, which run from Aug 5-21.

The feisty runner, who is making her Olympics debut, played for Thailand’s women’s national football team for seven years. Gifted in playing multiple sports, the 32-year-old has come a long way since giving long-distance running a go six years ago.

Despite having much to be thankful for, Jane has also had her share of trials and tribulations. Her motto to just be happy has carried her through such times.

“My motto comes from the tough times I’ve been through. I’ve fought through depression and times when money has been tight, and times when people did not treat me right.

“If you start with this simple motto, everything else pretty much falls into place. You react more positively with others, you run better because you are more relaxed, you will be more open to loving others and receiving love, you will be able to inspire others.

“For me this extends to inspiring people to take up fitness. Every day I love coaching and helping others reach their best both emotionally and physically. It’s important to stay in shape and work out every day, or at least be active. Being active is good for your health, prevents many diseases, and keeps you injury-free and more mobile and independent as you get older.”

Speaking on her goals for the Rio Olympics, Jane said: “I expect to compete at my best and nothing less. The competition will be hard but I have run international major marathons before. I’ll shoot for a PR [personal record] but will make adjustments according to the heat and humidity, which are expected to be high. I never count myself out from winning. You never know; it could be my day. But at the same time I respect my competitors. My biggest competitors are Kenya, Ethiopia and the US because they’re long-distance running powerhouses.”

Born and raised in New York, she has an elder brother who is a sports-medicine doctor. She proudly added that it was he who helped her recover from an injury sustained prior to last year’s SEA Games, where she clinched a bronze medal in the 10,000m, the first medal for Thailand in this category.

It was inevitable that Jane would follow her brother’s passion for sports as she grew up in his shadow.

“I played basketball [with him], watched the same television shows and would run and bike after him,” she remarked fondly. “So I picked up soccer because that was his favourite sport. Soccer was my love. I played on a travel soccer team then the New York state team, eventually a premier club team that led to me being recruited to play at Columbia University and St. John’s University, both top Division I teams. I played with the Thailand national football team from 2003-2010. I also played in a semi-professional league in New York.”

While she has played a number of sports with equal gusto and passion, it was the marathon that she was finally smitten by. She equates long-distance running with life’s arduous yet fulfilling journey.

“The marathon has taught me so many lessons. You learn about yourself during the training leading up to the competition and just running the marathon itself. I’ve learned many things from each marathon I’ve run. I’ve learned how mentality is everything and how to change your mindset when things get hard. I’ve learned to really plan and visualise my goals.

“I’ve been through injury and fought my way back into shape again. The marathon teaches you patience and not to underestimate the difficulty of it. I have learned to finish workouts and races when it was so painful and my legs wanted to fold up right under me.

“Run a marathon or train for one correctly and you’ll know what I’m talking about. Every marathon, you face new challenges. This one will be how I compete in warm conditions and [against] a higher level of competition.”

Her actual journey to the Rio Olympics began after she competed at the 2014 Chicago Marathon. Last year, Jane ran the Berlin Marathon, where she was found to be low in iron and vitamin D. She sought medical assistance to help her get back to training and then qualified for this year’s Olympics at the Houston Marathon in January, while she took a year-and-a-half off from her job as a physical education teacher at Brooklyn Friends School in order to focus on training.

Her most memorable victory to date was 2014 Chicago marathon, where she ran her fastest race, clocking in at 2.40.40, qualifying her for the World Championships. A close second was her 2016 SEA Games debut in Singapore.

“Nothing compares to wearing your national team jersey and representing your country. Winning Thailand’s first medal in this event was amazing, especially because I was coming off an injury from five weeks before.”

Her most recent performance at the 2016 Brooklyn Half Marathon, where she ran a personal best of 1.15.13, was also memorable, because it proved to her that hard work, belief in herself, trying a new training method and perseverance pay off handsomely at the finish line.

One “special” person who has been by her side from the start is her fiancé, Sean Gage.

“He has run hard workouts with me towards the end,” said Jane. “He would accompany me towards the end of my long runs. He came to every major competition, no matter where it was. He helped me literally take off my shoes at the end of my marathons, kept me focused in training, and always checked in with me to see how I was doing. He has sacrificed so much for me. He would make sure I was all set for races, from planning to race day and afterwards. I can’t thank him enough.”

Mentoring by her coaches, both in the US and Thailand, has refined not just her running techniques but her character.

“I’ve had many coaches, from soccer to running, and each and every one of them has made a huge impact on me and who I am today. I can’t single one out because each one played a role in building me up. I have received undying support from coaches spending extra time after practice, countless phone calls to discuss training, and more. Each coach has taught me different values and ways to improve my mental as well as physical toughness. They’re the reason I’m a coach today to youth and adult athletes.

“Dreams are meant to be lived. They can happen with planning — that’s how I achieved my dream. It took many failures and years of persistence, but it paid off.

“Do not listen to those who are negative. Surround yourself with positive people with good energy and you can get to your dreams. Take small steps. There will be days when it seems you need to take a step back before you can go forward, but don’t be discouraged. If you feel you need to be inspired, you can always reach out and follow me on Facebook or Instagram, and I would love to keep inspiring you and others.”

Jane’s close-knit family, whom she describes as her world, have been a pillar of strength. Her older brother and parents have all contributed to the well-rounded person she is today.

She picked up her competitiveness from none other than her elder brother, recalling fondly how even when she was little, he would never let her win easily. This taught her early in life that if she wanted to win, she had to learn to get better, practice more and figure out what she could do to make it happen.

Jane couldn’t have asked for better parents, saying today: “My mom and dad have been my heart and soul. They drove me to every practice, and were on the sidelines of all my soccer games and any other event from day one. Not many parents can do that. It was hard on my parents too, but they knew how important it was to be there for me.

“In the last few years of competing in running, they have really been there, flying all over the world following me and calling to check on how I’m doing. During the toughest of times, they’ve cooked every meal, driven me to practice so I can relax in the car, done my laundry and made sure I had whatever I needed to perform. They knew how important rest was for me.”

 

This source first appeared on Bangkok Post Lifestyle.

What's trending and happening this week

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1 To those looking for a new type of dining experience, Siam Kempinski’s Niche Restaurant is introducing their latest and intriguing concept “Asian, Non-Asian”. The brainchild of executive chef James Norman, diners get to select ingredients and choose to have it prepared either in an “Asian” or “Non-Asian” interpretation and presentation. Diners are encouraged to select multiple ingredients and see what the chefs are able to come up with. Protein options include lobster, bluefin tuna, 48-hour braised pork rib, New York strip, oysters and much more, while guests can also choose seasonings like chilli, ginger, mango, apple and lychee. For reservations, call 02-162-9000 or email niche.siambangkok@kempinski.com.

2 Shoes and accessories lovers should hold on to their wallets until Aug 2, as British luxury shoe and accessories brand Charlotte Olympia is for the first time having a sample sale in Bangkok. Inside the Library & Greenwich Room at The Aetas Hotel Bangkok on Soi Ruamrudee, Charlotte Olympia’s fanciful shoes and bags will be on sale with items reduced by a whopping 90%. The sample sale will start at 1pm on Aug 2 and run from 11am-8pm to Aug 6.

3 Better to avoid the chaos and attend the Rio 2016 Olympics in spirit this year with Brazil’s most well-known fashion export, Havaianas. Coming out with both a unisex and women’s collection, the flip-flops feature bright and colourful designs of orange and lime green, featuring the official Rio Olympics Logo as well. Both unisex and women’s flip-flops cost 1,290 baht for a pair.

4 The Jam Factory is hosting must-see show by be>our>friend Studio until Aug 27. The “Lives & Lines Exhibition : From Start To End And In-Between” will showcase the process of our understanding in illustrations in different dimensions by presenting drawing in different and alternative forms. There will be thirteen co-exhibitors from different industries and backgrounds showcasing their works including Rapi Rikulsurakan, Thich Nhat Hanh’s calligraphy works (thanks to the support of the Thai Plum Village), Dr Thanit Tientanu, Pom Jitpratuk and many more.

5 Those who are planning a trip to IKEA this weekend should pop by the Baan Lae Suan Mid-Year Fair to look at more household and accessories products. Taking place at Bitec Bangna’s Hall 107 until this Sunday, the fair covers creative room and housing ideas, an art market, a craft village with creative workshops, a greenhouse for avid gardeners, and more than 1,400 home and accessories booths from cute ceramic sets to pillows and outdoor furnishings.

 

This source first appeared on Bangkok Post Lifestyle.

Grammy teams up with AIS on concerts

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Fahmai Damrongchaitham (right), GMM Grammy’s vice-president for marketing and sales, shakes hands with AIS executive vice-president for marketing Pratthana Leelapanang in front of GMM Grammy artists.

GMM Grammy Plc has joined hands with Advanced Info Service Plc (AIS) to stream live concerts through mobile applications for the first time, boosting Grammy’s multi-platform digital entertainment content.

Fahmai Damrongchaitham, Grammy’s vice-president for marketing and sales, said the collaboration with the country’s leading mobile network provider would benefit GMM25 digital TV channel.

“AIS already has strong network coverage nationwide, so using its mobile network will help GMM25 channel’s content to reach people across the country, especially through the mobile platform,” he said.

GMM25 channel is focusing on providing content through multi-platform channels by using a total viewer experience strategy to deliver strong music and TV dramas and offering a new way to present content on other platforms such as mobile phones and tablets.

Mr Fahmai said Grammy would be the first TV operator to broadcast a live concert via the AIS Play mobile application. It will begin with the Pack 4 concert featuring Thai rock bands Potato, Kala, Clash and AB Normal.

GMM25 is ranked 19th in the ratings among the 24 digital TV operators, according to Nielsen Thailand.

Mr Fahmai said the collaboration with AIS would benefit GMM25 viewers as they will stay connected to the channel’s content anywhere, creating online engagement to pave the way for the company’s future business.

This will also create engagement with advertisers and media agencies who could use multi-platform content to address more people.

This collaboration will help drive revenue for GMM25 channel to reach 800 million baht this year.

Of the revenue target, 80% is expected to derive from TV business while 20% will come from online activities including TV streaming and the Line TV application.

All GMM25 content will be produced by content creation unit GMM Bravo with an aim to maximise use of the group’s music resources to produce TV drama series.

Pratthana Leelapanang, AIS executive vice-president for marketing, said he was confident that partnering Grammy would create the best experience for both Grammy and AIS clients.

He said AIS was the first mobile operator to team up with renowned music and TV drama content provider Grammy to broadcast quality content through strong mobile networks.

The AIS Play app has about 1 million active users and 1.5 million downloads. Users are expected to expand to 3-4 million in the next year.

GRAMMY shares closed yesterday unchanged on the SET at 8.10 baht in thin trade of 268,000 baht, while AIS (ADVANC) shares closed at 178 baht, up 1.50 baht, in trade worth 2.77 billion baht.

Get full Bangkok Post printed newspaper experience on your digital devices with Bangkok Post e-newspaper. Try it out, it’s totally free for 7 days.

 

This source first appeared on Bangkok Post Lifestyle.

Grammy teams up with AIS on concerts

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Fahmai Damrongchaitham (right), GMM Grammy’s vice-president for marketing and sales, shakes hands with AIS executive vice-president for marketing Pratthana Leelapanang in front of GMM Grammy artists.

GMM Grammy Plc has joined hands with Advanced Info Service Plc (AIS) to stream live concerts through mobile applications for the first time, boosting Grammy’s multi-platform digital entertainment content.

Fahmai Damrongchaitham, Grammy’s vice-president for marketing and sales, said the collaboration with the country’s leading mobile network provider would benefit GMM25 digital TV channel.

“AIS already has strong network coverage nationwide, so using its mobile network will help GMM25 channel’s content to reach people across the country, especially through the mobile platform,” he said.

GMM25 channel is focusing on providing content through multi-platform channels by using a total viewer experience strategy to deliver strong music and TV dramas and offering a new way to present content on other platforms such as mobile phones and tablets.

Mr Fahmai said Grammy would be the first TV operator to broadcast a live concert via the AIS Play mobile application. It will begin with the Pack 4 concert featuring Thai rock bands Potato, Kala, Clash and AB Normal.

GMM25 is ranked 19th in the ratings among the 24 digital TV operators, according to Nielsen Thailand.

Mr Fahmai said the collaboration with AIS would benefit GMM25 viewers as they will stay connected to the channel’s content anywhere, creating online engagement to pave the way for the company’s future business.

This will also create engagement with advertisers and media agencies who could use multi-platform content to address more people.

This collaboration will help drive revenue for GMM25 channel to reach 800 million baht this year.

Of the revenue target, 80% is expected to derive from TV business while 20% will come from online activities including TV streaming and the Line TV application.

All GMM25 content will be produced by content creation unit GMM Bravo with an aim to maximise use of the group’s music resources to produce TV drama series.

Pratthana Leelapanang, AIS executive vice-president for marketing, said he was confident that partnering Grammy would create the best experience for both Grammy and AIS clients.

He said AIS was the first mobile operator to team up with renowned music and TV drama content provider Grammy to broadcast quality content through strong mobile networks.

The AIS Play app has about 1 million active users and 1.5 million downloads. Users are expected to expand to 3-4 million in the next year.

GRAMMY shares closed yesterday unchanged on the SET at 8.10 baht in thin trade of 268,000 baht, while AIS (ADVANC) shares closed at 178 baht, up 1.50 baht, in trade worth 2.77 billion baht.

Get full Bangkok Post printed newspaper experience on your digital devices with Bangkok Post e-newspaper. Try it out, it’s totally free for 7 days.

 

This source first appeared on Bangkok Post Lifestyle.


New probable Mers case found

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A technician prepares a sample to be tested for Mers after a Thai returned from the Middle East with flu symptoms at the laboratory at Bamrasnaradura Infectious Disease Institute in Bangkok on Feb 5, 2016. (Bangkok Post file photo)

A Kuwaiti man has been identified as a probable Mers case in Thailand although testing has not been conclusive, according to the Public Health Ministry.

The 18-year-old man entered the country on Monday with his father and grandmother and all of them are now hospitalised, said Ammuay Gajeena, director general of the Disease Control Department said at a news briefing on Saturday afternoon.

The purpose of their visit was to have the grandmother treated for knee-related complications.

When the man started to show flu symptoms a day later, the private hospital treating his grandmother took a sample of his body fluid to be tested for Middle East Respiratory Syndrome (Mers) at the facility’s laboratory.

The test came positive on Wednesday and the hospital informed the ministry which immediately admitted him to the state-owned Bamrasnaradura Infectious Disease Institute.

The man was put in the monitoring phase on Thursday as required by a ministry announcement.

“He was put in a negative-pressure room. Now the fever has come down and there are no other symptoms. Fourteen days later he will be released if he is tested negative,” Dr Amnuay explained.

He added his two high-risk relatives were also admitted at the facility as was the taxi driver who drove them.

The doctor stressed although the man was only a probable case, all three of the family must be taken care of by the highest standards.

“The man is in the probable group as we sent samples of his fluids to be tested at four places — the Medical Sciences Department, Bamrasnaradura, King Chulalongkorn Memorial Hospital, Ramathibodi Hospital — but the results have been inconclusive.

“Clinically, this man is a probable case and must receive proper care. He is the second case in 2016 and the third since Thailand started monitoring the disease.”

The doctor added authorities had already got the name list of the passengers on the same flight as the Kuwaiti man was. They would be contacted and taken care of by the guidelines.

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This source first appeared on Bangkok Post Lifestyle.

New probable Mers case found

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A technician prepares a sample to be tested for Mers after a Thai returned from the Middle East with flu symptoms at the laboratory at Bamrasnaradura Infectious Disease Institute in Bangkok on Feb 5, 2016. (Bangkok Post file photo)

A Kuwaiti man has been identified as a probable Mers case in Thailand although testing has not been conclusive, according to the Public Health Ministry.

The 18-year-old man entered the country on Monday with his father and grandmother and all of them are now hospitalised, said Ammuay Gajeena, director general of the Disease Control Department said at a news briefing on Saturday afternoon.

The purpose of their visit was to have the grandmother treated for knee-related complications.

When the man started to show flu symptoms a day later, the private hospital treating his grandmother took a sample of his body fluid to be tested for Middle East Respiratory Syndrome (Mers) at the facility’s laboratory.

The test came positive on Wednesday and the hospital informed the ministry which immediately admitted him to the state-owned Bamrasnaradura Infectious Disease Institute.

The man was put in the monitoring phase on Thursday as required by a ministry announcement.

“He was put in a negative-pressure room. Now the fever has come down and there are no other symptoms. Fourteen days later he will be released if he is tested negative,” Dr Amnuay explained.

He added his two high-risk relatives were also admitted at the facility as was the taxi driver who drove them.

The doctor stressed although the man was only a probable case, all three of the family must be taken care of by the highest standards.

“The man is in the probable group as we sent samples of his fluids to be tested at four places — the Medical Sciences Department, Bamrasnaradura, King Chulalongkorn Memorial Hospital, Ramathibodi Hospital — but the results have been inconclusive.

“Clinically, this man is a probable case and must receive proper care. He is the second case in 2016 and the third since Thailand started monitoring the disease.”

The doctor added authorities had already got the name list of the passengers on the same flight as the Kuwaiti man was. They would be contacted and taken care of by the guidelines.

Get full Bangkok Post printed newspaper experience on your digital devices with Bangkok Post e-newspaper. Try it out, it’s totally free for 7 days.

 

This source first appeared on Bangkok Post Lifestyle.

Drawn to this life

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PAINTING THE TOWN: Illustrator and Instagram star Phapfah Puttharugsa, or ‘Binko’, paints a blank wall in an abandoned Bangkok building as she creates a portrait of her and her beloved cat. Photos: Jetjaras na Ranong

Phapfah Puttharugsa, a 20-year-old illustrator, met Brunch on a sunny morning with a box of spray paints and marker pens. Wearing shorts and a dustproof mask, the artist wrapped a bandana around her ash-dyed hair and prepared to start her graffiti.

She used part of the wall in a dilapidated and deserted building on Kaset-Nawamin Road as a canvas. “I want to paint me and my cat,” she said while drawing a young woman embracing a big black animal. It is her second piece of graffiti, having first experimented along Charoen Krung Road. “I am learning spray painting techniques.”

Her favourite subject is her cat, which features in many of her artworks. “It helps me get through the difficult times of my life,” said Phapfah, better known as “Binko” in the social media world.

“I used to be depressed when I first left home and lived on my own. Then, I bought a cat and she helped me a lot. She is my best friend who helped me through the ups and downs.”

Despite her youth, Phapfah’s is a life less ordinary. She quit school at 16 and left home to pursue her dream of making a living from drawing. Those around her used to gossip that she had no future and would end up on the street.

“Even my parents did not think I would become this successful. But my mum told me recently that she is very proud of me,” she said.

Today, she is recognised as a rising young artist with a signature style of drawing beautiful girls with big eyes. She earns substantial income from her illustrations and sponsorships, has a legion of 500,000 followers online and has been invited to speak to young people about their life goals at various functions.

TURNING POINT

The journey of the young artist was not paved with roses. Phapfah never attended art school, even though her grandparents and parents studied at Silpakorn University and most of them work in architecture or design.

She chose maths and science in high school. “Once I wanted to become a food scientist,” she said.

She excelled academically. Phapfah finished Mathayom 3 at Samsen Wittayalai School with a grade-point average of 3.9. But when she moved to study at Assumption, a Catholic school, her Mathayom 4 score crashed to 0.2 as she faced personal upheaval.

“My parents broke up. My family business did not do well. Suddenly, we didn’t have any money. It was the first time that my parents couldn’t pay my tuition fee on time. I thought I should quit school.

“My mum strongly disapproved. But I wanted to spend time studying something I really wanted to learn. I had a plan for myself,” said Phapfah, who is an only child.

“I don’t drink, I don’t smoke and I don’t go out at night. That is the reason my parents let me do what I wanted. They just told me not to do bad things.”

Phapfah attended a short drawing course at an art learning centre in Siam Square when she was in M4. But she stopped when her parents went broke.

After she quit school, Phapfah left home to stay with her grandparents. She studied drawing alone by researching artworks in the Thailand Creative and Design Centre library.

She has also learned from other artists and close examination of Japanese cartoons she likes to read.

One of them is an old Japanese cartoon series called The Rose of Versailles, first released in 1973, by manga artist Riyoko Ikeda. Ikeda’s characters tend to have oversized eyes and beautiful, delicate hair.

Phapfah also studied the works of the painter Margaret Keane, whose life was featured in Tim Burton’s 2014 film Big Eyes, starring Amy Adams.

“At some point, I realised I had to stop studying these artists because I would inevitably copy their styles,” Phapfah said. “I wanted to create characters of my own.”

Another influence came from close to home: the way her mother, an interior designer, coordinated colours for clients.

Her mother’s influence can be seen in Phapfah’s tendency to use earth tones in her work. “Earth tones are my mum’s favourite colours,” she said.

SOCIAL MEDIA SUCCESS

Phapfah began showcasing her works on social media, starting with her designs for iPhone cases which became noticed on Instagram.

“I bought cheap iPhone cases and started to paint them with pen and acrylic paint. I just wanted to see if the paint would stick. I shared my design in black and white with a group of some 10 friends.

“But after I posted on Instagram, some people asked if they could order them. People who like my merchandise began sharing my Instagram with others. The number of my social media followers multiplied by word of mouth.”

Within a year, by the time she was 17, selling iPhone cases become a major source of income. She moved out of her grandparents’ home and rented a condo on Sathon Road. “I had to ask my mother to sign the lease for me because I was still a minor at the time.”

She began producing merchandise such as cloth bags and scarfs featuring her drawings, advertising them online.

While attending the short drawing class in Siam Square, one of her customers saw her works and hired her to draw for a tablet program and Tumblr. Since then, she has been hired to create several illustrations for products and advertisements.

Her drawing lines may look girly but her style connects with her young fans, who are among some 500,000 followers on her Instagram.

She said her proudest moment so far was being commissioned to create Line stickers of Palmy, Thai-Belgian pop sensation Eve Pancharoen.

“When I was approached to do Line stickers for Palmy, I was surprised but very happy. I am a big Palmy fan,” said Phapfah.

Recently, she was invited to dress Wego toys at the Thailand Toy Expo in Japan. She designed costumes for the character Sudsakorn and his horse, from the classic Thai epic Phra Aphai Mani.

“I went to the TCDC every day to research the pattern of Thai fabrics. I imagined myself as Sudsakorn and my cat as the horse.”

Although the organisers were initially reluctant to commission a female artist for the work, they are pleased with the outcome. “There are barriers against women artists. It is not because women artists are not capable — in fact, I have seen many good women artists.

“But people tend to think that women might give up easily and are not tough enough. I am a stubborn person. I have to break the barrier.”

Her goal for the future is to produce work in 3D. She is also interested in art toys and motion pictures. She plans to attend a short course in art overseas in the future. “I may take short art courses at a university overseas. I still have to learn new techniques to improve my work.”

Phapfah did not say how much money she has earned in her short career so far, but revealed she has bought a house. “I had to have my mum sign on my behalf because I was still a minor when we applied for a home loan from the bank,” she said.

It does not hurt that Phapfah is photogenic and stylish, which helps explain her popularity on Facebook and Instagram. “Followers are not only interested in my work, but also my lifestyle. Many have asked me about my views on living my life. Some young followers have asked if they should quit school to follow their dream too. Some parents also complained that I encouraged their children to leave school.”

Some customers hire her because they expect to gain attention from her followers. However, Phapfah does not want to be known simply as a net idol.

“I was not flattered by being branded a net idol. I want to focus on my drawing and my work, something that will enable me to continue living after I get older.”

TOO MUCH TOO YOUNG?

Phapfah said there were downsides to leaving school and home at a young age. “When I was down, I used to wonder whether I rushed into living on my own too early.”

She does not have many friends in the same age, largely because their interests are different.

“While they are talking about boyfriends or new handbags, I am more interested in how to earn a living.

“People think I’m lucky but they don’t know what I had to overcome before I became successful.”

Once, when payment from a customer was late, she was left scraping together all the coins she could in order to buy food to eat. There were times she was so depressed she consulted a psychiatrist.

Today, Phapfah is happy with her life. She reunites with her parents at her grandparents’ house every weekend.

“I do not recommend young people quit school. My case is different from others. I knew what I wanted. Of course, I was scared when I made the decision. But I knew myself well enough to know that I would be determined to follow through with what I wanted to do.”

 

This source first appeared on Bangkok Post Lifestyle.

Actor burnt, media storm, min's 'hi-so' lover

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Actor Aukkarat “Toast” Jittasiri has been banished from work for four months amid a public backlash after his former girlfriend laid police charges of assault against him.

Toast, 21, and his ex-love, net idol Wisansaya “Fah Barbie” Pakasupakul, 23, last week exchanged blows in the media after she complained to Chokchai police and criticised his behaviour on Facebook.

Fah showed bruising to her legs and arms which she allegedly sustained in the assault as the two fought in Toast’s car and his home in a jealous row following their break-up two months ago.

Toast belongs to director Poj Anon’s stable of acting talent. Outspoken Poj initially jumped to Toast’s defence, accusing Fah of making up the claims and inflicting the injuries on herself.

As the negative publicity mounted, Poj appeared to have a change of mind, telling Toast he would have to miss out on a role in his next two movies to make amends. He predicted Toast, a boy from the slums in Chatuchak who previously worked in a 7-Eleven to support his family, would have trouble making ends meet.

Toast admits they fought but is adamant he inflicted bruising only to Fah’s arm, as he tried to fend off her blows while he was driving.

“As for the rest of her injuries, you will have to ask her,” he told reporters on Tuesday as the row entered a second week. “But she knows in her heart what she did.” He has laid a counter-complaint against Fah of defamation.

The net idol said the pair clashed earlier this month after Toast turned up at her place about 2.30am one day, trying to win her affections back. Since ending their 11-month relationship both had found someone new but stayed in touch.

On the day of the row, Toast said he called, but Fah refused to answer. He went to her home at her invitation only to be kept waiting. When Fah finally came out to see him, one of her male friends also arrived.

“I asked where she had been and if she had been seeing her new man,” he said. “I asked in an annoying way and she grew fed up and started kicking me and pulling my hair,” he claimed.

Toast said he and Fah started to fight when she got in his car. He took her to his place, where the fighting carried on. However, he said they slept together that night after making up, and when he took her home again the next morning they had a meal on her soi.

Fah, whose version of events bears little resemblance to his, said Toast had tried to appease her after their break-up, without success.

“When I again refused to yield, he slapped my face, and grabbed my throat. I pushed his head back but he hit me again,” she said.

“It’s a Toyota bB, with the stick by the driving wheel, and plenty of room in front.

“I was able to get my foot in front of his to hold him back, but he got his feet and held them down against my throat.

“At one point I admit I grabbed the steering wheel. I thought if the car crashes, it crashes,” she said.

At Toast’s place, she could no longer cope with the “pushing and shoving” so knocked a picture to the floor in the hope of waking up his family. His mother witnessed the scene and reprimanded her son.

“I warned him I would lay a complaint about the attack, and he said go ahead,” she said.

After the initial burst of publicity, Fah said one of Toast’s ex-girlfriends made contact to say he had mistreated her. Toast denies it, and has challenged the woman to come forward.

After Toast rejected her claims of assault, Fah called in reporters a second time to unveil a Line message in which he appears to threaten her. She denied trying to earn publicity at his expense.

“I don’t want to get famous this way, from being beaten up by a man,” she said.

Toast says the publicity has hurt him. “People now think I am a bad person, even though they haven’t heard my side. My parents never brought me up to hit women,” he said.

Police are investigating.

Getting carried away

Actor and singer Kitiwong “Fuse” Phopee is smarting after a light-hearted social media post in which a restaurant worker carried him to his car to avoid a rain puddle backfired.

Fuse’s manager, “Book”, published an Instagram clip of the incident on a wet day recently when the pair stopped for a bite to eat near Krung Thon Bridge before heading out for a singing job.

It started to rain, and a member of the eatery’s staff carried him over to his vehicle rather than let Fuse get wet.

Critics hammered the Channel 7 actor, asking if Fuse was too pampered to walk to the car park himself.

“Are you crippled, or do you think you are an angel, too special to get his feet wet?” they asked, adding he was looking down on the waiting staff.

Fuse admitted he was worried he would spoil his shoes in the rain.

“They offered an umbrella and normally I would wade across, but Book told me not to go as I had to perform in those shoes,” he said. “He offered to go himself, but I said no.

“Book asked the youngsters at the eatery if they could drive and offered them the keys. One lad headed over and put in the key. The lights started flashing, but nothing happened. He ran back and asked how to get it started. Book showed him, but it still didn’t budge.

“I was worried if he kept hitting the pedal the car would shoot forward, so called him back. The youngster said it was his duty to look after us. He offered to carry me, and with that grabbed me and lifted me up. I was stunned, as I never expected such service, nor did I ask for it.

“I turned around and gave Book a smile. He thought the scene was cute, so took a picture. At the car I gave the lad a tip and a wai of thanks.

“I was upset with the negative reaction, but understand everyone has his own point of view. I will have to be more careful what I post next time.”

Change of heart

Actress Pechaya “Min” Wattanamontri, who has a new man in her life, denies claims she wrested him from a doctor in Laos.

Min and her new admirer, a businessman nine years her senior, were pictured in the media recently, spurring the interest of fans.

Min recently broke up with her old love, “hi-so Boss”, though she won’t talk about the end of their relationship.

Boss himself recently found a new love interest, taking up with Channel 3 actress Matira “Yam” Tantiprasut.

News reports said Min, not to be outdone, made sure she was spotted in the media with her new businessman admirer, whom the media has also dubbed a “hi-so”.

However, she denies taking up with him on the rebound.

“I knew him from Chulalongkorn University … we studied assets together. He is good on the finance side, and flirted with me openly,” she said.

“I have taken him to meet my parents. They think I am suited to older types, but I am stubborn. He has to prove himself in many ways. Still, I have worked for a long time and would like someone to look after me.”

She knew nothing of reports he had been seeing a Lao doctor before they met up. “Everyone has a past, but he says he was single when we met. I would rather live in the present anyway,” she said.

Min said her new admirer is innocent where show business is concerned. “The media ran his picture. He asked me what the tag ‘hi-so’ means, and if it’s a bad thing. I said it’s nothing, but his friends have teased him,” she said.

 

This source first appeared on Bangkok Post Lifestyle.

The Soul of a Man

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The British soul revivalist serves up a stirring new album after a four-year break.

Michael Kiwanuka/ Love & Hate

Despite being crowned the winner of the BBC Sound of 2012, British soul singer-songwriter Michael Kiwanuka is one of those immensely talented yet criminally underrated musicians. While the runners-up of that year’s poll, which included Frank Ocean, Azealia Banks and Skrillex, have gone on to achieve high profiles, Kiwanuka has remained a low-key figure, largely unknown to mainstream audiences. It also doesn’t help that he went on a four-year hiatus following the release of his debut album Home Again. This year, he finally broke the silence, re-emerging on the music scene with his long-awaited sophomore record, Love & Hate.

Kiwanuka’s latest studio offering couldn’t have arrived at a more apt time. Gospel-inspired lead single Black Man in a White World captures the social zeitgeist in which racial divides are spreading like wildfire. “I’m in love but I’m still sad/I’ve found peace but I’m not glad/All my nights and all my days/I’ve been trying the wrong way,” he sings, reflecting upon his black identity and conflicting feelings over a track of claps and infectious guitar licks. The stark contrast between the less-than-hopeful message and the uplifting production here is so poignant that it almost makes you feel guilty for enjoying it.

Themes of juxtaposition and polarity continue on the title track, an eight-minute musing on the duality of human emotions. “Love and hate, how much more are we supposed to tolerate?” Kiwanuka sings, accompanied by the catchy vocal harmonies of his backup singers. A guitar solo chimes in, dominating the entirety of the track’s final three minutes. This is where Kiwanuka subtly announces that he’s no longer just a retro-soul guy — that he’s capable of far more than being regarded as a male version of Adele.

It’s this sort of meandering bluesy, at times psychedelic, guitar work that adds conviction and emotional weight to tracks like Cold Little Heart, Rule the World and The Final Frame. Elsewhere, the piano-driven Father’s Child poses a question of faith, while the jauntiness of One More Night recalls the sound of Amy Winehouse and vintage Motown. It’s the least heavy cut of the lot, and with the lyrics dedicated to themes of patience and self-preservation (“I’ll be trying/I’ll be trying in the morning/I’ll be trying, I’ll be trying in the day”).

Love & Hate is a work of a man trying to come to terms with his inner turmoil and personal struggles. Unafraid to lay bare his vulnerabilities, Kiwanuka sings from the depths of his weary heart, complemented by a production sound drenched in ’70s soul with a sprinkling of modern rock (Credit duly goes to Danger Mouse, the producer behind an eclectic range of artists from Gorillaz to Beck, and Red Hot Chili Peppers to Adele). Anyone looking for a retro-soul album with a contemporary flair shouldn’t miss out on this album.

THE PLAYLIST

Stoondio/ Dee Kwa (Better)

Bangkok-based musician Chotika “Toon” Kamwongpin makes introverted bedroom pop under the moniker Stoondio. Over the years, she’s garnered quite the following thanks to the strength of her two studio releases Lost-Unfound and Plural. Today, Toon has shared Dee Kwa (Better), a new single taken from her forthcoming third LP Almost The Third Album. Musically, it doesn’t stray too far from Toon’s established sonic aesthetic that fuses a warm DIY sensibility with a wistful indie-pop sound. As for the lyrics, she sings about how sometimes it’s better for lovers to go their separate ways than staying together and suffering (“I should do the right thing/I should give up and let go of you”).

Aurora/ I Went Too Far

On her latest cut I Went Too Far, rising Norwegian songstress Aurora comes to an understanding that love is not about going to great lengths in order to prove your devotion to someone. “I went too far when I was begging on my knees/Begging for your arms, for you to hold around me,” the 20-year-old singer-songwriter begins over a glacial synth-pop melody. “I went too far and kissed the ground beneath your feet/Waiting for your love, waiting for our eyes to meet.” It’s not so often that a pop song offers such a sobering perspective on relationships.

The Avalanches/ Subways

Subways marks the third single from The Avalanches’ long-anticipated comeback album, Wildflower. Released in succession to Frankie Sinatra and Colours, the track finds the Australian electronic outfit sampling the vocals from 12-year-old singer Chandra’s 1980 single of the same name, as well as Graham Bonnet’s cover of the Bee Gees’ Warm Ride. The result is a gorgeous, slightly whimsical, sun-drenched jam that recalls the best works of Pnau and Empire of the Sun.

Crystal Castles/ Char

While some of you might still be reeling over the departure of Crystal Castles’ fierce frontwoman Alice Glass, it’s comforting to know that the band’s other half Ethan Kath is still cranking out new music for us to revel in. With Glass replacement Edith Frances now brought into the fold, Crystal Castles have begun their return by sharing two songs from their forthcoming fourth album Amnesty (I). Here, we’re treated to a new single called Char, a vintage synth-fuelled number bursting at the seams with raw energy and emotion.

Local Natives/ Fountain of Youth

In a social media post, indie-rock quintet Local Natives shared their new song, Fountain of Youth, accompanied by a message: “In a time of cynicism dressed as realism…I believe there is reason to be hopeful, optimistic and idealistic. Socially, politically and personally, we’ve felt many defeats, but have come back to the realisation that this is our world to make.” It’s a fitting introduction to this uplifting song which celebrates youthful freedom. “We can do whatever we want/We can say whatever we need,” goes the anthemic chorus, guaranteed to inspire a singalong.

 

This source first appeared on Bangkok Post Lifestyle.

Friends in need

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Samsri is a five-month-old tri-coloured puppy who was dumped at a shelter. He is very friendly.

Tocktack is a three-month-old female kitten who was the only one left from a litter of four. She is very friendly and has been vaccinated.

Sai Mai was dumped at a shelter. She is a small dog who would make a good companion. She has been vaccinated.

These puppies were born in a construction site. The heavy rain forced them to come out, roaming on the street. They are about three years old. They are very friendly and playful.

Ploydaeng is a one-year-old female dog who is very gentle and friendly. She has been neutered and fully vaccinated.


Contact details: Anyone interested in adopting one or more of these animals can contact Tharinee Wipuchanin, founder of Pic-A-Pet4Home, on 08-1451-2233 or 08-1551-2628, Facebook: PickAPet4Home-Bangkok, email: pickapet4home@yahoo.com or visit our website: www.picapet4home.com

 

This source first appeared on Bangkok Post Lifestyle.

Embracing bee season

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LADY IN RED: Bottlebrush trees help enhance your garden as a pollinator hotspot.

I was standing on the veranda of our country home when I noticed a swarm of little white butterflies milling around the canopy of a rainbow eucalyptus. The tree was in bloom, and as I watched the butterflies fluttering from flower to flower, I could not help but marvel at the wonders of nature. Where did the butterflies come from? Other plants were in bloom as well, but why were they only attracted to this particularly tree? I had no doubt in my mind that the flowers were also pollinated by bees and other insects, but why were they visited by only one kind of butterfly?

On the farm there are several species of flowers that butterflies and bees love to visit. A stone’s throw away from the rainbow eucalyptus is a flowering shrub, Buddleja paniculata, better known as butterfly bush because it’s a favourite host plant of butterflies. Known in Thai as rachavadee, its tiny, white flowers fill the air with their gentle fragrance from early morning to noon. I have seen other insects hovering around them in addition to butterflies.

ANIMAL ATTRACTION: Wattle, or ‘krathin-narong’, attracts bees and birds. Photos: Normita Thongtham

Insects, particularly butterflies, also find the blue flowers of a neighbouring Duranta erecta, or golden dewdrop, irresistible. Yet the butterflies that visit these shrubs did not seem to be interested in the creamy white flowers atop the rainbow eucalyptus tree.

There are gardeners who prefer to grow flowering plants that attract butterflies, birds and bees to their garden. They are not after the production of fruit or honey — all that they want is the enjoyment of seeing the winged creatures in their garden. If you are one of these nature lovers, then you might want to know more about Eucalyptus deglupta, commonly known as rainbow eucalyptus.

The only eucalyptus not native to Australia, the rainbow eucalyptus is indigenous to Papua New Guinea, Indonesia and the island of Mindanao in southern Philippines. It is distinguished by a multi-hued trunk which first appears as a bright green when the outer bark falls off, then darkens and reveals a rainbow of colours that include red, blue, purple, orange and purple-brown. Also known as Eucalyptus multiflora, it certainly lives up to its name, bearing clusters of many flowers that, as I had observed, attract butterflies in the hundreds, as well as bees and probably also birds that feed on nectar.

The rainbow eucalyptus is fast-growing and thrives best in deep, moderately fertile sandy loam with adequate moisture. Growing to a height of 60m and a diameter of 2.4m, it is columnar so it does not occupy much space. However, you would not want your house under such a massive tree as a branch could fall on your roof during a storm. Grow it only if you have a large garden, where you can plant it some distance away from your home.

Acacia auriculiformis is not as awe-inspiring as a fully grown rainbow eucalyptus, but it has its own merits. Commonly known in its native Australia as wattle or black wattle (krathin-narong in Thai), it is a very good shade tree, grows fast even in poor soil, rejuvenates the soil with its leaf litter, and has extensive and dense roots that prevent land erosion.

is drought resistant and thrives on neglect but has to be watered regularly until it is fully established. It blooms several times a year, with clusters of yellow, scented flowers that attract bees and other insects. Its pods are rather flat, curved and twisted, and split open when ripe, exposing shiny dark brown seeds that serve as food for birds.

TRUE COLOURS: Rainbow eucalyptus is distinguished by its multi-hued trunk and attracts little white butterflies.

Acacia auriculiformis

Other Australian natives which bees, birds and butterflies find attractive are the various species of the bottlebrush tree, known to Thais as praeng lang kuad. A garden I saw in Phuket had a row of these trees along the fence, and their bright red flowers were swarming with butterflies and bees. I also spotted a tiny sunbird with yellowish plumage, flapping its wings like a hummingbird as it sipped nectar with its long, curved bill.

Bottlebrush trees are a main source of food for nectar-feeding birds, bats and insects in Australia. Belonging to the Myrtaceae family, which includes the guava and the rose apple, bottlebrushes are members of the genus Callistemon, which has about 40 species that range in size from small shrubs to small trees.

Distinguished by their attractive bottlebrush-shaped flower spikes that gave them their common name, bottlebrushes make excellent garden plants and can be grown in Bangkok and elsewhere in Thailand. They grow in all kinds of soil but for best results, use loamy soil mixed with compost and decomposed animal manure. Like any flowering tree, they need full sun.

One shrub which bees just couldn’t leave alone is Xanthostemon chrysanthus. It was brought to Thailand by a Chiang Mai plant enthusiast who fell in love with it at first sight while visiting Australia.

He named it rak raek pob (love at first sight). When it was first introduced to the market, it was only known by that name, and trying to learn more about it proved difficult. But more on this next week.


 

This source first appeared on Bangkok Post Lifestyle.


Cracking duck eggs' appeal

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‘Khao muu daeng’.

If you compare a duck’s egg with a hen’s egg, which one comes out on top? The right answer is that each one has its strong points. Most people prefer hen eggs, however, and it is easy to find them for sale in any fresh market or supermarket where they are bought in much greater amounts than duck eggs. Cooked-to-order food shops don’t keep duck eggs at the ready for customers, who are very unlikely to ask for them.

But even though duck eggs rank low in popularity, they have a historically more important role in Thai cooking than hen eggs. Half a century ago, they were much more popular in Thailand than hen eggs, and much easier to get hold of. But for now I’d like to forget about comparative popularity and take a look at why it is that duck eggs are so integral to Thai cuisine.

One food that’s familiar to all Thais is the yellow ba-mee noodle. Every kuai tiao shop has them. In the past these noodles were known as ba-mee khai, or “egg ba-mee”. When cooks made them by kneading wheat flour with egg, they always used duck eggs because of their sticky consistency and rich, dark yellow colour.

After the flour and eggs were hand-mixed, they were kneaded until the dough was thick and firm, using a big, long bamboo tube. One end was firmly attached to a wooden post and the other was for the noodle-maker to stand on in order to knead the dough by foot. This technique of kneading vigorously by foot made the noodles firm and chewy. Then the dough was cut into strips to make the ba-mee noodles. Today all of the mixing and kneading are done mechanically, but the recipe’s requirement for duck eggs remains the same.

The viscosity of the duck egg, together with the deep yellow, almost orange colour of its yolk, make it ideal to use in many Thai dishes. One example is khai khem, or salted egg. If the yolk of a salted egg is too pale, it doesn’t look appetizing. The deep yellow colour of the salted yolk in the flaky, filled Chinese sweet called khanom pia is one of the things that attracts buyers. Khao muu daeng, or Chinese red pork in sauce over rice served with boiled egg, is enhanced if made with duck eggs, too.

Khanom khrueang thong (“golden sweets”) like thong yip, thong yawt and foy thong are made with duck eggs because of their consistency and colour. With khai phalo (eggs cooked in an aromatic brown sauce), it isn’t the colour of the eggs that makes people buy it, because that can’t be seen. It is their size.

But it is the colour that makes duck eggs a necessity in many of the recipes that use them — and the more intense the yellow, the better. A dark yellow-orange isn’t enough for demanding buyers. A shade bordering on red increases the value of duck eggs and makes them sell better than lighter-coloured ones.

Many duck farmers used to raise their birds by allowing them to roam freely in rice farmers’ fields, a system called pet lai thung in Thai. This worked out well for both farmers. In those days the paddies were plagued by a pest known as the cherry snail. These voracious animals destroyed a significant number of rice plants.

The most effective exterminators of cherry snails were big flocks of ducks. Rice farmers welcomed the itinerant ducks, which immediately set to work devouring the snails until the last one was gone.

Eggs from ducks raised in this way had good, thick, sticky whites and yolks of a deep orange, almost red colour. They were ideal for making khanom pia, khao muu daeng and salted egg, and were especially sought after during the season when khanom ba-jaang was being made. Red duck egg yolks are an essential ingredient in these boiled, bamboo leaf-wrapped, savoury festival treats. The market on Itsaraphap Road off Yaowarat have these red yolks for sale, especially for ba-jaang cooks.

These days, the pet lai thung system of duck farming is gone, as it is considered to be too risky. When a large number of ducks are permitted to roam freely and one of them becomes infected with disease, the condition can run rampant throughout the whole flock and kill them all. As a result, poultry farmers have changed their ways to raising ducks on farms as it is less arduous and diseases are easier to control.

Another reason for the change of system is the fact that cherry snails are much less numerous than they once were. However, a second natural enemy, the heron, has proliferated. During the season when farmers are preparing their fields and the paddies are not flooded yet, the fields will be full of herons finding and eating the cherry snails. When ducks are raised on farms instead of being set loose in rice fields, their egg yolks will revert to a lighter, yellow-orange colour, losing the red tint. But the market demand for red ones still places them at the top of the quality scale.

There is a chemical called carophyll red that has been used abroad to enhance the colour of egg yolks, but I have never heard of it being used in Thailand. Duck eggs from some of the big farms are red, but there is no information indicating that carophyll red is being used.

Smaller farms have found their own ways to intensify the colour of duck egg yolks. Some of them have managed to by adding calcium to the feed. Others feed them ripe papayas.

All of these facts add up to an idea of the importance of duck eggs in Thailand’s food culture. They may not be as popular with general buyers as hen eggs, but Thai cooking would be unimaginable without them.

Duck eggs. Photos: Suthon Sukphisit

‘Nam prik num kai tom’.

 

This source first appeared on Bangkok Post Lifestyle.

Stripping down to the home truth

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In the course of uncovering news, reporters find themselves in all sorts of unexpected scenarios.

I’m not talking about war reporters in hotspots. Reporters covering the more mundane aspects of modern life can find themselves in peril as well.

I was once threatened with death from a grieving father whose son had driven an army tank down the main street of a Queensland town before turning a gun on himself.

My editor sent me off to do what we called a “death knock”, which was to knock on the door of the family of somebody who’d died spectacularly and ask them: “How do you feel?” The grieving father didn’t feel anything, other than wanting to shoot my head off.

Another time a nightclub bouncer promised to murder me, and then after that he promised to murder my mother and my father. I would have thought murdering my parents before murdering me would cause me more anguish, but hey, he was outside a nightclub, not a Mensa meeting.

I thought I’d heard everything until this week, when a Khon Kaen reporter was stripped semi-naked by an enraged local mayor who then told the reporter “not to tell anybody about this, OK?” Anybody who says that to a reporter can only be enraged, or as far away from Mensa as that bouncer was.

Late last week pictures started circulating of this mayor, Dr Premsak Phiayura, sitting in what clearly resembled a Thai wedding or engagement ceremony.

He wore a nice pink Thai silk shirt as a phuyai tied traditional strings around his wrists. In front of him was 400,000 baht and a Buddha statue along with keys to a car. These are normal things a groom must hand over to a bride’s parents for the privilege of marrying their daughter. Yes, I know, that’s really unfair, but get over it. Let’s move on.

Such pictures would be considered harmless if it weren’t for the revelation the alleged bride is a Year 11 high school student, the proud groom is 51 years old — and he’s already been married for a number of years. Weddings may be celebrated, marriages may be endured, but bigamy is definitely newsworthy, especially when your spouse is young enough to be your granddaughter.

Dr Premsak has been a Khon Kaen politician for more than 20 years. He was briefly on the national political scene but these days he is the mayor of Ban Phai, a nondescript rural district of Khon Kaen province with a population of 100,000. He lives there with his wife of many years, Dr Orathai, a lecturer at Khon Kaen University.

When the pics first leaked about 10 days ago, the good doctor did a runner, which is exactly what I would have done too, though certainly not running anywhere near home. It came to a head Tuesday morning when five reporters camped outside his office at Ban Phai.

The good doctor arrived at work, invited the reporters in, locked the office doors behind them and confiscated their cameras and notepads. The rant then officially began:

To hell with an interview with you guys. I’m not giving you any facts. Why didn’t you call me? I’ve always had a good relationship with the media! Why are you infringing on my personal life? I’ve been crying myself to sleep for a week!

The good doctor claimed the pics were not of his wedding or engagement ceremony. The pretty high school girl demurely seated beside him was the daughter of an impoverished family. He was merely helping the family out, and he did it out of the goodness of his heart.

Dr Premsak then turned his attention to Korsith Kongchom, the Daily News reporter, one of the five reporters trapped inside the office. Your newspaper’s been the most relentless, he shouted, infringing on my personal life for no public benefit. How would you like it if I infringed on your personal life? And just to show him what he meant, he ordered his four of his six henchmen — I beg your pardon, his staff — who were in the room, to strip the Daily News reporter of his clothes, leaving him standing in his underwear.

Another staff member took pictures of the naked man — for what purpose? One hopes not for Dr Premsak’s personal titillation; the poor reporter was 64 years old, not to mention the good doctor is a married man.

Two hours later the reporters emerged, with the threat not to tell anybody about what went on inside.

What a scenario. The Thai Journalists Association came out against the doctor. The good doctor himself pre-empted any retaliation by rushing to file charges with the Ban Phai cops against the five reporters the very next day. He claimed they had obstructed his ability to carry out his work by coming to visit him at his office. How five captured reporters in a locked office can actually impinge on your ability to work, when you are the one holding the door key, will make an amusing page-one court story in future times.

Poor Korsith, though. Imagine making it to 64 years of age only to have a manic mayor demand you strip down to your undies and be photographed to boot.

We journalists are not the most popular of people. Surveys of preferred professions always put us down the bottom along with used-car salesmen and sewer inspectors. Despite this, we have an extremely important role to play in society, and if you don’t believe that, just watch over the next 10 days during the lead up to, and aftermath of, next Sunday’s referendum.

The public wants to know lots of things, and it is the responsibility of Korsith and his counterparts to seek out that information. Local politicians like Dr Premsak rely on the likes of Korsith when he needs publicity about opening new bathrooms or roadways leading to the big cities. The relationship is reciprocal. Dr Premsak has chosen to be a public figure, and for that he is open to public scrutiny and not just when it suits him. The media will always be there to watch over the behaviour of public figures, whether it be bathroom openings or spousal collection.

But what if the good doctor was speaking the truth? The jury is still out on that … but what if?

Has this all been a terrible misunderstanding? Was he indeed just being a benevolent mayor, donating 400,000 baht to a local family fallen upon hard times who, by coincidence, happened to have a very attractive school-aged daughter?

If so, then the good doctor’s anger would certainly be justifiable, and those stains on his pillow after a week of tears would be understandable. Dr Premsak’s name has been besmirched, not to mention his wife’s, causing the entire country to perceive him badly. For that he should receive sympathy.

Oh but wait.

The answer to that question — if the good doctor was speaking the truth — may lie in a very small detail that got adjusted on his Wikipedia page the day after the reporter’s trousers hit the fan.

Early Wednesday morning, upon doing some background research, I found his Thai Wikipedia page, which I print for you here as a screen shot. Even if you can’t read Thai, you can see one entry for his age (51), then his political party (Phumjai Thai), then his spouse (Associate Professor Dr Orathai) and finally his religion (Buddhist).

That was 8am Wednesday morning. By 4pm the very same day, I returned to that Wikipedia entry. The entry about his spouse has vanished. Perhaps the jury is not out after all … at least not at home.

 

This source first appeared on Bangkok Post Lifestyle.

The past gets room to grow

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Thailand’s National Artefacts Storage facility, set to open in two years, will be fine-tuned with high technology to make it an archaeological study centre for all of Southeast Asia.

The Culture Ministry recently approved a Bt491.5-million budget for erecting the world-class storehouse in Pathum Thani’s Klong Luang district. The four-storey structure will shelter more than 200,000 cultural relics over 30,000 square metres, protected by hi-tech humidity controls, handprint scanners and a fire-fighting system of the type found in the finest museums.

“When the storage facility opens its doors in 2018 it will be a learning centre for archaeologists and museologists from across Southeast Asia,” says Anan Chuchote, director general of the ministry’s Fine Arts Department.

“The new building will be a modern ‘visible storage and study collection’ centre for both academics and the general public to learn more about the region’s history and heritage.”

Construction is underway on the facility, at which artefacts will be kept in separate rooms according to material – stone, metal, paper, textiles, ceramic or leather. Another storeroom will hold the more than 3,500 pieces that the department has seized from smugglers in recent years, better enabling the investigation of criminal networks. A large hall will be equipped for exhibitions.

Secure windows allowing in natural light to save energy without damaging the collection are part of the mainly concrete facility’s “contemporary Thai” design. Heavier artefacts will be displayed on the ground floor, lighter items on the upper levels. Scholars and casual visitors alike will be able to locate specific items through computer indexing.

Anan and his team have brushed up on their museum planning and management knowledge with the help of experts in Japan and Singapore. They learned about preserving archives at the Kyushu National Museum near Fukuoka, Japan, the first new national museum built in that country in more than a century and the first to focus on history over art.

They also toured the Osaka National Museum, and in Singapore visited the new Bt13.7-billion National Gallery, one of the biggest museums in Southeast Asia.

For more than a decade the Fine Arts Department has been moving its artefacts collection from |the National Museum near Sanam Luang to temporary facilities |on Pathum Thani’s Klong 5. The Bangkok centre has had 60,000 pieces dating as far back 5,000 years squeezed into 8,000 square metres.

The new storehouse will be part of a 500-rai government compound that is already home to the Kanchanapisek National Museum and the Golden Jubilee Museum.

“We’ve always had to lock |the doors at our storage facilities to the general public for security seasons,” Anan says, “but when this building is finished in 2018, we’ll have 60,000 artefacts on display in a modern exhibition format and accessible databases. Then, in the second phase, another 20,000 artefacts now jammed into our museums around Central Region will be transferred there.”

To date the public has only had occasional, partial glimpses of what’s in storage through exhibitions at department-run museums – chiefly the National Museum in Bangkok – at which the display items were alternated.

In 2014 Culture Ministry Permanent Secretary Apinan Poshayananda organised the critically acclaimed show “Thai Charisma: Heritage + Creative Power” at the Bangkok Art and Culture Centre, where important Buddha statues and Tripitaka artefacts were set out alongside contemporary art.

In November that year more than 500 artefacts smuggled out of Thailand in the 1970s were repatriated after being identified at a museum in Santa Ana, California, following a four-year undercover investigation. Most originated from the five-millennia-old Ban Chiang civilisation, at what is now a Unesco World Heritage site in Udon Thani.

Many of those items went on |public view at the Kanjanapisek National Museum in Pathum Thani early in 2015, in an exhibition titled “Looted Art Returns to the Motherland:Thai Artefacts from the United States”. They included pottery, tools and ornaments of earthenware, bronze, stone, glass and animal bones, in some cases believed to be in use as early as 1500 BC.

 

This source first appeared on The Nation Life.

In times of ‘Fear’

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In life, Prime Minister Prayut Chan-o-cha is highly unlikely to ever come face to face in a showdown with his predecessor, Yingluck Shinawatra, but in art, anything is possible. Manit Sriwanichpoom, in yet another potentially controversial show called “Fear”, has brought them face to face.

In fact his portrait of Yingluck stares directly at the five military chiefs who led the coup that removed her government in 2014.

The exhibition is shared among Manit’s own Kathmandu Photography Gallery in Silom, H Gallery and Tang Contemporary Gallery also in Bangkok, and the Yavuz Gallery in Singapore.

The “fear” of the show’s title refers to the trepidation that living in military-ruled Thailand involves, in such a sensitive time of transition. Manit addresses that fear in artful photographs and a pair of videos depicting the political turmoil and its impact on the monarchy.

Cautious, he has let the Singapore show handle some of the more politically risky elements, but is still taking chances mounting his first solo show in Thailand since the coup just ahead of Sunday’s referendum on the draft constitution.

“Like many Thais, I live with fear,” Manit says. “I’m afraid of violence and the absence of peace in our country. But, since we’re not allowed to speak aloud about our greatest fears, I’m expressing mine and what Thai society thinks about the situation through these shows.”

The notions presented in “Fear” are conceptual and self-censored, but nonetheless powerful in their evocation of the bloody years before the coup, the paralysing street rallies and the demise of the Yingluck government. Symbolic images – the flag, royal monuments – stand in for overt statements.

Solar eclipses provide another metaphor for uncertainly. At a dimly lit H Gallery on Sathorn Soi 12, the grey shadow of an eclipse signals uncertainty as visitors study the monotone photo series “Royal Monuments of the Chakri Dynasty”. You see statues of the eight kings from front, back, side and below, with nothing but grey in the background.

A two-minute video, “Siam Eclipse 1868”, can be viewed on a light box, edited from still images captured by Frenchman Francis Chit, who served as court photographer to King Mongkut, Rama IV. Nearby is “The Last Photograph of the King of Siam, 1868”, made by Manit, combined with Chit’s picture of the monarch, courtiers and diplomats assembled in Hua Hin to watch the solar eclipse of August 18, 1868, an event the King, a keen astronomer, had accurately predicted.

This was indeed the last photo taken of King Mongkut. He contracted malaria on that journey and was dead just over a month later. His 15-year-old son, Prince Chulalongkorn was also infected, but survived to assume the throne as King Rama V and continue his father’s mission of leading Siam into modern times.

King Mongkut’s untimely death prompted many Siamese to regard eclipses as harbingers of bad luck, a belief that persists today, and Manit takes note of the latest solar eclipse, on March 9 this year, as if wondering whether there was some political meaning to it.

A broad composite photo titled “Queuing for Happiness 15 July 2014” lies on the floor. It shows Bangkokians lining up at the military junta-sponsored Festival of Reconciliation, aimed at “returning happiness to the people”. A statue of King Anand, Rama VIII, is in another photo on a wall, coated in the same grey.

At the Kathmandu, a disturbing image of wrecked, upended cars with the Thai flag sprayed on them instantly brings to mind the street chaos. Its glib title is “Rajadamnoen Motor Show February 2017 Organised by the People’s Democratic Reform Committee”. The pictures were taken at the forced eviction of protesters camped on that road in February 2014.

Upstairs in ghostly blue is the picture of Yingluck, “Haunting Memory 2011” – created from one of her election posters – facing down the generals and admirals who plotted against her. Yingluck looked beautiful before her election, her digitally altered portrait seems to say, but now, hounded by corruption scandals, she’s become spectral, haunted.

Its opposite numbers are collectively titled “5 Generals Who Returned Happiness to the People 22 May 2014 Coup d’Etat”. You see their chests alone, no heads, although their identities might be guessed from the captions.

At the Tang inside Silom Galleria, Manit returns to Rajadamnoen, this time to 2013 for the People’s Democratic Reform Committee initial challenge to the Yingluck regime. The mournful recorded sound of Aunyawan Thongboonrod, Manit’s music teacher, playing “Spanish Cello” echoes through the gallery.

Four photo panels, each five to six metres in length, are held in place on their stands by sandbags, recalling another scene of protest. Yingluck reappears with hateful graffiti sprayed across her face in “Wall of Defiance 1 December 2013”.

The original wall was erected as protection against drive-by snipers and grenade attacks.

“Wall of Conscious 14 October 2013” depicts the thick barrier of concrete raised around Government House to keep out those same protesters as they marked the 40th anniversary of the October 14 Uprising.

The Thai flag flutters again in “Fading History: ‘Bangkok Shutdown’ 31 October 2013-22 May 2014”. Demonstrators are depicted wearing the tricolour on their clothes and accessories, donating money to help farmers impoverished by the government’s rice price-pledging scheme.

Manit’s take here, implied in the title, is that the smiles of those in the photo have faded following the military’s seizure of power, which abruptly ended nearly eight months of street protests in Bangkok and elsewhere.

On a television, in a video called “Primitive”, can be seen abstract images in blood red, glimpses of Rajadamnoen, handprints and footprints and implications of a never-ending tragedy.

In Singapore, where speech is at least relatively free compared to present-day Thailand, “Fear” is much more outspoken.

“The Parliament of Happy Generals 31 July 2014” features computer-generated likenesses of high-ranking military and police officers who are members of the National Legislative Assembly. Unlike in Bangkok, the portraits there are complete, with faces shown.

FOUR EYES TO SEE

– The exhibition “Fear” is at the Kathmandu Photography Gallery (www.KathmanduPhotoBkk.com), H Gallery (www.HGalleryBkk.com) and Tang Contemporary Gallery (www.TangContemporary.com) in Bangkok until September 10, and at the Yavuz Gallery (www.YavuzGallery.com) in Singapore through September 18.

 

This source first appeared on The Nation Life.

New life for Hanoi’s Opera House

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In a move that’s guaranteed to delight both local and expatriate fans of music and theatre, Vietnam’s culture ministry has decided to facilitate regular drama, chamber music and traditional opera shows at the Hanoi Opera House beginning this autumn.

The aim is to provide audiences with high-quality performances in the historic Opera House in downtown Hanoi.

It is also an answer to recent public complaints that the Opera House has hosted too few high-quality shows.

Starting in September, the Vietnam Symphony Orchestra, Vietnam Drama Theatre and Vietnam Cheo (Traditional Opera) Theatre will take turns performing at the Opera House.

Vietnam Cheo Theatre artist and director Thanh Ngoan says the performance schedule will include award-winning plays at national theatre festivals. By 2017, the theatre will perform there every Saturday and Sunday.

The Vietnam Tuong (Traditional Drama) Theatre will launch performances on October 30 and November 2, while the Cai Luong (Reformed Opera) Theatre will start performing in October.

“The Opera House is a golden venue with a good location and magnificent architecture,” says Pham Ngoc Tuan, director of the Tuong Theatre. “The ministry’s decision gives us motivation to practise to ensure that we give our very best performances.”

“Traditional drama artists have always wanted to perform at the Opera House but the rental fee is too high,” he says.

Located just a few metres away from the Opera House, artists from the Vietnam Drama Theatre have no proper stage of their own.

Their own stage has been transformed into a small rehearsal hall at the theatre’s headquarters on Trang Tien Street. Most of the time, artists perform at the nearby Cong Nhan Theatre at 42 Trang Tien Street.

“Our ticket income would never be enough to make ends meet if we rented the Opera House. That’s why we rarely perform there,” echoes Nguyen The Minh, director of the Vietnam Drama Theatre. “

According to Kieu Ngan, deputy director of the Vietnam Symphony and Opera Theatre, opera houses in other countries are venues for top performing artists and are always the pride of their citizens.

“Our Opera House, in contrast, has rarely hosted such shows for the public. It tends to host invited-only shows,” she says.

Pham Anh Phuong, the theatre’s director, is full of praise for the ministry’s plan,

“It’s an effective way to transmit artistic messages to audiences,” he said, “We don’t want to perform one or two nights, but several times a month.”

While organisers of traditional performing arts have found it difficult to sign contracts that cover rental at the Opera House, various pop singers from overseas have been able to perform there in recent years because they can sell tickets at high prices.

“If the tickets to traditional arts shows are sold at prices high enough to cover the venue rental, no one would come see them,” says Tuan, director of the Vietnam Tuong Theatre.

The Opera House was built by the French in 1911 with the aim of bringing classical performing arts to both the Vietnamese and French elite.

Size, though, is a limiting factor, While completing the construction in 1990, architects Ho Thieu Tri and Hoang Dao Kinh noted that the total 600 seats would not allow shows to be presented to a large audience.

“Many different activities have been organised at the Opera House, including award ceremonies of various sectors and schools,” says historian Duong Trung Quoc. “We should stop using the Opera House for so many kinds of activities and keep it for the arts.”

 

This source first appeared on The Nation Life.

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