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RMA Institute

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RMA Institute presents “Nacht Wellen”, an ongoing photographic project by photographer Ralf Tooten which explores the enigmatic curiousness of the ocean seas through lowlight photography.

People’s Gallery

Second Floor, Bangkok Art and Culture Centre Until Aug 28 Tue-Sun, 10am-9pm Call 089-142-3134

Photographer Jetsada Leelanuwatkul presents “BTSscape”, a series of fleeting and impressionistic photos of Bangkok through the windows of the BTS Skytrain.

Tars Gallery

10/3 Soi Srijun Sukhumvit 67 Until Sept 23 Wed-Fri, 2pm-6pm Call 099-736-8672

Tars Gallery presents “(In)territories/rituals”, a group exhibition featuring Alexandre Lavet, New-territories/M4, Ruangsak Anuwatwimon and Thomas Merret, which explores different states of the in-between, whether it’s in the geological, historical or spatial sense.

Tentacles

N22, Narathiwat Ratchanakharin 22 Until Sept 4 Wed-Sun, 11am-8pm Call 089-117-3434

“Three-Cornered World” is Pam Virada’s ongoing site-specific installation of objects and images. It’s an attempt at collecting memories like an archive and projecting the artist’s mental state for viewers to explore.

Cartel Artspace

N22, Narathiwat Ratchanakharin 22 Until Aug 25 Wed-Sunday, 2pm-6pm

Extensive travels, to Cambodia, Vietnam, Sri Lanka, Japan, Laos and some provinces in Thailand results in “Zones And Verbs”, Orawan Arunrak’s latest solo exhibition with videos, paintings, drawings and photographs.

 

This source first appeared on Bangkok Post Lifestyle.


Banana split

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Above Kluai namwa, or cultivated banana, has long been an affordable food staple for Thais. Photo: PATIPAT JANTHONG

High on the list of fruits Thais cannot live without is kluai namwa, or cultivated banana, a tropical strand only grown in South and Southeast Asia. The cultivated banana has long been an affordable, ubiquitous food staple for Thais, the same way apples are for Westerners.

But kluai namwa has become a major concern across the country during the last few months. Media has reported an unprecedented surge in the price of cultivated bananas from 20-30 baht a bunch to over 70-80 baht. A shortage of the fruit from drought is the primary reason (besides seasonal influences such as the hike in demand during the Chinese Spirit Festival this week). The historic price hike affects households and related businesses; the shortage of what Thais often take for granted as a ubiquitous foodstuff is an economic and environmental issue as well as a case of food security whose impact is felt at the street level.

It was once easy to get a cheap bunch of cultivated bananas by just walking into any fresh market or random street vendor. Now at a fried banana cart at Talat Nang Linchee, a vendor needs to limit the number of pieces of fried banana from eight to six in a 20 baht bag. Few vendors, such as a well-known lady who sold khao tom mud (sticky rice dessert with banana filling) at BTS On Nut, simply had to stop after the price of wholesale cultivated bananas rose.

Thanapat Narktieng, producer of branded sun-dried bananas from Phitsanulok, said in a report that he had to discontinue production, at least for now, because of supply shortage.

Earlier this month in Sa Kaeo, police had to break up a fight among a competing horde of buyers from Cambodia who came over to the Thai side to get a limited amount of kluai namwa.

“Bananas have never been this expensive,” said one policeman in a report, adding that he saw bananas for sale at 200 baht per bunch — an unimaginable price for something that once cost 10 times less.

Meanwhile, in a village in Chon Buri, a man had to install CCTV cameras in his orchards after thieves stole 30 bunches of bananas three times in July. At Wat Don Sai Temple in Prachuap Khiri Khan, thieves repeatedly stole bananas from the small plantation in the temple’s cemetery. The abbot had to place a sign in front of the temple begging the thieves to stop.

Witoon Lianchamroon, director of Biothai, a conservation group campaigning for sustainable farm policy and food security, said the kluai namwa shortage is a warning sign of our food security problem.

“The kluai namwa problem warns us that our food production system is going to change, and the good old days when Thais could enjoy cheap vegetables and fruits might become a thing of the past,” said Witoon.

The climate change-induced drought of the past few years may return, he said. Changing weather patterns will affect supply of farm products and change the way the country manages agricultural production.

“Once-ubiquitous and cheap products like vegetables and fruits will become commercial goods, and that will drive up the price,” he said.

The banana headache also highlights a more complex dynamic of supply and demand in international trade. As local consumers witness kluai namwa sold at historic prices, society is alarmed by the invasion of Chinese investors using Laos and Thai plantations to grow Cavendish bananas, or kluai hom. The Cavendish banana plantations have led to conflict over water and the excessive use of chemical pesticides. Local banana growers are becoming part of the international market. Local food once sold in fresh markets will be pinned with the law of supply and demand.

“Farmers will plant for supply chain markets or even for export. The era of when Thais can enjoy affordable fresh fruits and good vegetables will become a thing of the past, because under the law of supply and demand, farmers must sell their products at highest price offer,” Witoon said.

The only way to counter this trend, Witoon suggested, is for authorities and networks of consumers to create an alternative market where farmers can sell their products directly to consumers at a fair price, in the model of organic markets. Without an alternative that favours small growers, the food production and distribution will be in the hands of big companies that will inevitably control supply as well as demand.

Professor Benjamas Silayoy, an expert on bananas and former lecturer on banana cultivation at Kasetsart University, watched the phenomenon of expensive bananas in disbelief. Known as a scholar who promotes the conservation of local banana species, Benjamas has been trying to encourage Thais to consume more bananas, and farmers to plant more bananas for export.

“As an advocate of bananas, I’m quite glad that people eat more of them, because they’re rich in vitamins and good for health. But I am not happy when the price of the once highly affordable kluai namwa rises to 70 baht for a single bunch. It’s too expensive, and the size is too small,” Benjamas said.

Growers and experts seem to agree that despite the “banana crisis”, the rising price of kluai namwa is likely temporary. The drought has been contained, the rainy season is in full swing, and in the next few months more supply will flood the market, bringing down prices.

Still, Professor Benjamas suggests that the solution for the kluai namwa shortage might be easier than imagined. She recommends each home start by planting one or two banana trees for household consumption.

No more than 20 years ago, it was a given that almost every Thai house had a few kluai namwa trees in its backyard. Then apartment buildings became a dominant form of accommodation and today children no longer even know what a banana tree looks like. Meanwhile, in farms and orchards, farmers often plant a few banana trees at corners for family consumption.

Thais know how to make use of kluai namwa. Its bloom (or hua plee) is used as an ingredient in cooking and as a traditional supplement for mothers during breast feeding. The banana flesh itself has long been a natural snack for Thais and a food for low-income earners.

During the economic crisis in the late 90s, the Bangkok Metropolitan Administration (BMA) under former governor Bhichit Rattakul ordered suburban districts to plant kluai namwa trees along the streets. The plan was well-received by community residents and pedestrians, who often cut the bananas from the trees.

“In old days, our ancestors often planted banana trees in their homes,” Benjamas said. “Of course, there was banana trading in ancient Ayutthaya, but that was the buying and selling of exotic, rare bananas, not the ubiquitous kluai namwa. Then people started cutting down banana trees to build houses, and the kluai namwa has been sold in markets ever since.”

Benjamas hopes the rise of banana prices inspires people to plant banana trees in their homes again.

“Why not? It’s easy to grow. They just need water and little space,” she said. “If each household dedicates a small space to growing kluai namwa, the supply will no longer be a problem.”

Vendors now need to reduce the number of pieces of fried banana per bag. Photo: TAWATCHAI KEMGUMNERD

The price of bananas has risen as high as 80 baht per bunch at markets. Photo: CHINNAWAT SINGHA

 

This source first appeared on Bangkok Post Lifestyle.

Madonna celebrates 58th birthday in Havana

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HAVANA – Madonna celebrated her 58th birthday Tuesday in Havana, dancing to Cuban beats during a night on the town and drawing crowds as she toured the city.

Singer Madonna (right) walks along a street in Havana, where she is celebrating her 58th birthday, on Aug 16, 2016.

The Material Girl’s visit got a write-up in the Cuban Communist party’s official newspaper, Granma, which reported that she “toured different city squares to start the first day of her visit, which will last until Wednesday.”

It said the US pop superstar was in Cuba with her eldest daughter, Lourdes, a 19-year-old model whose father is Cuban dancer and fitness trainer Carlos Leon.

American photographer Steven Klein and stylists B. Akerlund and Andy Lecompte are traveling with them, it said.

Madonna posted a picture of herself to her Twitter account with the caption “Cuba Libre.” It shows her wearing a revealing black dress with yellow flowers and smiling as she tips a black hat.

Videos posted online by fans show her dressed in the same outfit strolling through the streets of Old Havana and dancing to Cuban beats at a restaurant in the historic city center as onlookers cheer.

The news site Cubadebate said Madonna was planning a “big party” Tuesday with the “rhythms and flavors” of Cuba.

Madonna is the latest in a string of US celebrities to visit Cuba since its historic rapprochement with long-time enemy the United States was announced in December 2014.

Leonardo DiCaprio, Beyonce, Jay-Z, Katy Perry, Kanye West, Usher, Paris Hilton, and Kim, Khloe and Kourtney Kardashian have all toured the Caribbean island recently.

US citizens are still officially banned from traveling to Cuba as tourists under the embargo Washington has maintained on Havana since the 1960s.

But President Barack Obama’s administration has loosened travel restrictions, enabling more Americans to make the trip under permitted categories such as “cultural exchanges.”

Get full Bangkok Post printed newspaper experience on your digital devices with Bangkok Post e-newspaper. Try it out, it’s totally free for 7 days.

 

This source first appeared on Bangkok Post Lifestyle.

Memories of another day

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DONSARON KOVITVANITCHA
SPECIAL TO THE NATION
LOCARRO, SWITZERLAN August 18, 2016 1:00 am

THE BIGGEST movie event in Switzerland, and one of the most important cinema events in the world, the Locarno Film Festival wrapped its 69th edition last Saturday, with Ralitza Petrova, a first-time female filmmaker from Bulgaria, winning the top prize -the Golden Leopard Award – for her social drama “Godless”.

Although often regarded as a festival that focuses on European cinema, the Locarno event has screened some Thai films in the past. In 2004, the Swiss festival presented Wisit Sasanatieng’s “Citizen Dog” to thousands of film fans in an out-of-competition open-air screening at Piazza Grande, the city’s main square, while in 2013, Nontawat Numbenchapol’s documentary “By the River” won the special mention award from the Filmmakers of the Present sidebar competition.

This year, though, marked the first time a Thai film had competed in the prestigious main competition. The film in question was Anocha Suwichakornpong’s second feature, “By the Time It Gets Dark”, which was up against works by such veteran filmmakers such as Joao Pedro Rodriguez and Akihiko Shiota.

“By the Time It Gets Dark”, whose Thai title is “Dao Khanong”, took Anocha seven years to complete.

“I finished the first draft of the film’s treatment in October 2009,” she says of her dream project, which she started not long after the premiere of her first feature film “Mundane History” at the Busan International Film Festival in 2009. “Mundane History” went on to become a festival hit, winning the Tiger Award from International Film Festival Rotterdam in 2010.

“By the Time It Gets Dark” went to Cinemart, the project market of International Film Festival Rotterdam also in 2010, where it attracted the attention of a few international producers.

“It took a long time because of the filmmaking process, and the fact that I needed to find the money to film it,” Anocha says.

She did eventually manage to secure funding both from the International Film Festival Rotterdam’s Hubert Bals Fund, the Doha Film Institute and the Ministry of Culture of Thailand’s Thai Khem Kaeng’s fund and shooting began in 2014.

“I filmed some scene four years ago as a pilot without knowing if we would use the footage in the film. Two years ago, we filmed the scenes in Nan province, which we used as the main storyline. We filmed the last scene in February this year,” Anocha explains.

The narrative of “By the Time It Gets Dark” starts with Ann, a female film director, who wants to learn more about the Thai student movement in 1976. She takes Taew, a well-known female writer who was part of the movement to a remote resort to interview her

“Most people thinks the film is about myself. While some parts are based on my own experiences, I fictionalised the characters for the most part,” she says,

The film then goes back in time and explores Taew’s past before bringing the audience back to present to meet the other characters. There’s Nong, who keep changing jobs and changing herself and Peter, who is an actor.

“Actually the project started with the story of Nong, a girl who keeps changing jobs. Then I took a step back and reconsidered the relationship between myself and the subject. That led me to create the character of the female filmmaker. The film is about politics, memories, and also cinema. Sometimes we live in a world where the line between reality and fiction is blurred. Actors live in that kind of world too, and so I created Peter.”

Ann is played by three Thai female directors, Visra Vichit-Vadakan, Soraya Nakasuwan and Inthira Charoenpura. Taew is portrayed by both Rassami Paolueng- tong and Penpak Sirikul, while the role of Peter is taken by popular musician and actor Arak “Pae” Amornsupasiri.

“I went to see a film and Pae happened to be sitting in front of front of me. He has a unique charisma. When I wrote the script, I intended to cast another actor, but I decided to adapt Peter’s character to be closer to the real Pae,” Anocha explains.

Audiences in Locarno often ask about the meanings of the title, whether this is in English or the film’s native tongue, and “By the Time It Gets Dark” was no exception.

“The title ‘Dao Khanong’ came from the character of Nong, who was a factory girl. It comes from the lyrics of the song ‘Num Na Khao, Sao Na Klua’ [‘The Man from the Rice Field, the Girl from the Salt Pans’]. The song tells about how the man from rice field met the girl from salt pans at Dao Khanong. Dao Khanong is like a meeting point for workers. Whenever I drive on the highway, I always see the signpost to Dao Khanong. People live there but it isn’t a popular place,” Anocha says.

“The English title ‘By the Time It Gets Dark’ comes from Sandy Denny’s song, which I listened to quite often when I was writing the treatment. It was working title and I didn’t intend to use it as a real title, but it stuck.”

Anocha was delighted with her experience in Locarno and to be the first film director from the country to be selected for the competition.

“I am very happy with the screenings,” she says. The screen is big and the venue is not a movie theatre, so at first I was worried about the quality of the projection, but the quality was very good, better than in a normal movie theatre.

“And the response of the audience was nice. Many of them came up to me afterwards and said that they loved the film, though some of them didn’t really understand it, I was also asked how I convinced the investor to make this film and replied that wasn’t an easy film to make. We had to film and we had to look for money.”

“By the Time It Gets Dark” will be shown at the Toronto International Film Festival next month and at the Busan International Film Festival. No date has been set for its Thailand release though Anocha is hoping for an October release or at least before the end of this year.

 

This source first appeared on The Nation Life.

600 brilliant ideas in one place

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A STRAIN or rice that grows anywhere in any weather and socks that repel fungus are among the 600 innovations on view at the 11th annual Thailand Research Expo at Central World’s Centara Grand and Bangkok Convention Centre.

The National Research of Thailand (NRCT) and other research networks are hosting the event, continuing through August 21, daily from 8 to 6, and dedicated to Her Majesty the Queen for her birthday. The theme is “Research development toward stability, prosperity and sustainability”.

“People tend to see research as being far removed from their homes, but actually it’s very close to home,” says NRCT secretary-general Sukanya Theerakullert.

“All research is aimed at improving the quality of life since, if people enjoy good living conditions, the country prospers too. Research leads to innovations, new products and greater income, so everyone benefits. It strengthens society and creates a sustainable development.”

One of the stars of Research Expo 2016 is Tubtim Choompae (Gor Khor 69) rice, developed by Ronnachai Changsri of the Choompae Rice Research Centre in Khon Kaen. It flourishes in all weather conditions regardless of geographical location.

Tubtim Choompae derives from Khao Dok Mali 105 and Sungyod rice, both indigenous to Pattalung. The red seeds are resistant to the destructive fungus known as rice blast and generate a high yield of 970 kilograms per rai.

When cooked, the rice is red, high in healthy antioxidants and sticky, making it ideal for certain kinds of dishes and snacks.

Natthaporn Sonpuek and her team at Rajabhat Rajanagarindra University may have found a way for Thailand to reduce its dependence on imported colour dyes. They’ve developed extracts from natural domestic components suitable for dyeing fabric, as in batik production.

A light blue comes from butterfly-pea blossoms, dark brown from betel palm and pink from the peacock flower, and all the colours retain their natural vibrancy, making them as appealing as any artificial hue but without the harmful chemical additives. Natural dyes are also cheaper, so production costs are reduced.

Meanwhile the Royal Thai Air Force has come up with socks that resist fungus and odour. Wing Commander Chupong Chailak, head of its Quartermaster Directorate’s Research and Experiment Division, led the project.

Athlete’s foot has been the scourge of military missions since soldiers first began wearing boots. The Air Force researchers believe they’re found a solution by coating socks with zinc oxide, which prevents bacteria and fungus, and a layer of micro-capsules containing scent that reduces odour. The innovation could be applied when the socks are being woven or worn and make them last three days.

If you’re still hungry after studying socks, you might want to try a hamburger or northern-style spicy sausage made not with pork but crickets. Dr Darunsak Tatiyalabham of Varaya Alongkorn Rajabhat University reckons householders can cut their shopping bills substantially with this insect substitute.

Also useful for the home is kitchenware sculpted from palm-fruit shells, an environmentally friendly alternative conceived by Assistant Professor Dr Singha Indrachuto of Kasetsart University.

Assistant Professor Umaporn Upara at Maejo University has made vinegar, wine and brandy using myrtales, a plant with preservative properties. This idea came out of the Plant Genetic Conservation Project initiated by Her Royal Highness Princess Maha Chakri Sirindhorn.

And Assistant Professor Puntarika Ratanatriwong of Naresuan University has developed a line of “spice pastes” ready to use in the kitchen.

This is just a small sampling of the hundreds of innovations on display at the exposition, and it’s not just academic researchers participating – anyone can submit an idea. Business and investment opportunities abound, with many of the discoveries awaiting commercial application.

Find out more at www.ResearchExpo.NRCT.go.th and www.NRCT.go.th.

 

This source first appeared on The Nation Life.

Watches inspired by land, sea and air professionals

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Cortina Watch (Thailand), a luxury watch retailer and distributor led by Krist Chatikaratana, executive director, together with the leading watch brand Bell & Ross, recently unveiled the Bell & Ross BaselWorld Collection 2016 at an exclusive launch held at Marriott Resort Hua Hin. Top executives of Bell & Ross who flew in specially for the occasion were Fabien de Nonancourt, global sales director Paris, and Tong Chee Wei, general manager for Asia.

Bell & Ross Vintage BR 126 Aeronavale, inspired by the blue and gold of aeronautical dress uniforms.

“Bell & Ross is well known for its innovative design inspired by aviation instruments in the aircraft cockpit and the automotive world, combined with the technology and tradition of Swiss watchmaking,” said the global sales director. “Our watch must meet the four basic principles of legibility, functionality, precision and reliability. Every detail has its purpose, its function. This technical precision is expressed through pure lines and timeless elegance.”

The 2016 Bell & Ross collections are created in three themes of Land, Air and Marine. Highlight of the Land theme are the Aero Supercar-inspired BR 03-92 AeroGT and BR 03-94 AeroGT chronograph, produced in limited edition of 500 pieces each. The collection plays with textures, colours and layers resulting in a sharper, sportier and more powerful design. Both models come in polished satin-finished stainless square case with open-worked dials. Hours are indicated by large applied indexes filled with luminous paint. The chronograph model has an inner bezel ring bearing a tachymetric scale, a function serving to calculate the speed of a car. The strap is made from perforated black calfskin with red piping and ultra-resistant black synthetic canvas.

From the Air theme are the BR-X1 HyperStellar Skeleton Chronograph produced in limited edition of 250 pieces, and the BRS Diamond Eagle Diamonds ladies watch. The chronograph model combines lightness and strength through its 45mm case made of polished and micro-blasted grade 5 titanium, while the bezel’s protective insert is in blue anodised aluminium. The dial features a grey-tinted sapphire crystal with blue aluminium tachymetric flange, and blue aluminium applied ring for the 30-minute chrono register with aluminium disc at 9 o’clock. The bi-material strap is made from rubber and alligator leather.

For ladies, the BRS Diamond Eagle Diamonds brings together a number of celestially-inspired details such as the midnight blue dial, gleaming metal indices, and the seven-star diamonds. The gemstones are arranged on the dial in the shape of the Aquila, a constellation located close to the celestial equator. The round dial is set in a square 39mm case. Driven by a Swiss-made quartz movement, the watch is completed with a midnight blue alligator strap.

Under the Marine theme are the Vintage BR123 Aeronavale, and the Vintage BR126 Aeronavale, inspired by the blue and gold tones of the codes of dress uniforms of aeronautical officers. The Vintage BR126 Aeronavale is an automatic chronograph with modular movement, showing a balanced bi-compax layout, while the Vintage BR123 Aeronavale is a more simple edition, with time and small second at 6 o’clock. Both watches come with either a distressed blue calfskin strap or a midnight blue alligator strap.

The BR 01 92 Burning Skull, a new version of Bell & Ross’ iconic Skull range, was also unveiled at the event. The watch features a micro-blasted stainless steel case with tattoo-style engraving on both the bezel as well as the sides. The engravings are hand-filled with black lacquer for optimal contrast. It comes with both a brown alligator and an ultra resistant black synthetic strap.


Bell & Ross BRS Diamond Eagle Diamonds.

Bell & Ross BR 01 92 Burning Skull.

Bell & Ross BR 03-94 AeroGT.

 

This source first appeared on Bangkok Post Lifestyle.

Cycling trip in the Northeast

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The Mekong as it flows past Bung Kan. PhotoS: Pichaya Svasti

On Sept 4, the “Tour of I-San Bung Kan Classic 2” cycling tour will be held by the Tourism Authority of Thailand (TAT)’s northeastern regional office and CofeeBike Club on a 55km route to Phu Singh Hill in Bung Kan province.

Registration and breakfast will be from 5.30-6.45am, followed by the launch between 6.45-7am. After the trip, all the participants will have lunch.

Registration fees are 600 baht per person, inclusive of a T-shirt, drinking water, breakfast, lunch and accident insurance. The number of participants is limited to 300.

Call the TAT Contact Centre on 1672.

Eco-tourism in two provinces

TAT’s Lop Buri office and tourism business operators in Saraburi’s Muak Lek district and Lop Buri’s Phatthana Nikhom and Tha Luang districts are promoting ecological and historical tourism. They recommend a two-day, one-night self-drive trip from Saraburi to Lop Buri.

Participants will visit many farms in tambon Nong Yang Sua of Muak Lek district, Saraburi. Big Tae Garden covering 130 rai has almost a million chrysanthemums, also called “mums” or “chrysanths”, in various colours.

Phu-nawaphan Farm covering 117 rai of land is an integrated farm, which grows organic vegetables and demonstrates how to grow grapevines. Teacher Sansern’s Vegetable Farm grows organic vegetables and is known for producing butterhead lettuce.

In the afternoon, visit the Submakrut Valley, which is an organic velvet bean farm and the organic Saithong mulberry farm. Around this area is Lam Phaya Klang Community, aka “Cowboy Community”, where villagers raise 20,000 milk cows.

On day two, visitors can head to Pasak Chonlasit Dam, the country’s longest water-retention clay dam. The Lop Buri side of the dam boasts a museum, a look out for sightseeing and releasing fish, and a 9.72km path along the dam’s edge. The Saraburi side boasts Phra Buddha Rattanamanee Mahabophit Chonlasitmongkolchai, a Buddha statue.

In the afternoon, the group may visit the Ban Pong Manao archaeological site in tambon Huai Khun Ram of Lop Buri’s Phatthana Nikhom district where human skeletons and tools dating back 3,500-2,500 years were unearthed. Another attraction is Sap Champa ancient town with a champak forest and Sap Champa Museum in Tha Luang district, Lop Buri.

Visit www.tat7.com or www.facebook.com/pages/Tat-Lopburi or call the TAT local office on 036-770-096/7.

Royal Photo Exhibition

Today from 3-6.30pm, an alliance of 70 organisations, including the Crown Property Bureau and Thai Red Cross Society, will host the “70th Anniversary Of His Majesty The King’s Accession To The Throne: Photos That Are In Our Hearts” exhibition in front of the Lord Buddha Museum of Wat Debsirin, Bangkok.

Each of these 70 agencies has chosen one photo of Their Majesties the King and Queen and written a description of its impressive feelings for that picture. All the photos will be displayed in the form of procession.

In addition, there will be a lecture by royal guard Col Thirawat Boonpen, a demonstration of painting a portrait of HM the King by art lecturer Assist Prof Nares Yamahan and famous dancer and actor Manop Meechamras will perform a dance.

Admission is free.

Call 089-069-2410.


Email pichayas@bangkokpost.co.th if you have any news to share.

Lord Buddha Museum.

 

This source first appeared on Bangkok Post Lifestyle.

A happy meeting of Beethoven and BSO

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The heavens had opened with an almighty thunderous downpour just a few hours before Ludwig van Beethoven held court for an entire evening at the Thailand Cultural Centre last Thursday, but in fact the Bangkok Symphony Orchestra’s dedicated gala celebration of classical music’s designated “Creator” was focused — for the most part — on the somewhat brighter side of his philosophical worldview.

As conductor Charles Olivieri-Munroe pointed out in his concise and illuminating analytical introductions to each item, the Consecration Of The House overture in C Major Opus 124, Piano Concerto No.4 In G Major Opus 58, and Symphony No.3 In E-flat Major Opus 55 (also known as Eroica) represent a reverse chronological order: 1822, 1806 and 1804. That they all start and finish happily in their respective major modes reminds us that Beethoven was, at heart, an eternal optimist and believer in the basic goodness of the human spirit, in spite of the travails of Earthly existence with which he only too famously grappled.

The cruel injustice of hearing loss before he had written any of this concert’s incomparable music, for example. Indeed, the fourth concerto was the last masterpiece Beethoven was able to perform himself. Yet its spellbinding opening phrase for a soloist alone — as if from a contemplative sonata rather than a grand concerto — is to be rendered with the lightest of touches before the orchestra transports us swiftly, as if by magic, to an otherworldly tonal space with the most deft of enharmonic shifts.

Pleasingly, the delicacy with which those unassuming opening piano chords must be delivered turned out to be Argentine concert pianist Marcela Fiorillo’s starting and finishing point for her whole conception of the concerto. Blessed with such a creative spirit herself, the imaginative tempi which she conjured in the outer two movements certainly kept the whole BSO alert and attentive throughout, not to mention the substantial audience on the edge of their seats.

With a slight physical presence, Fiorillo didn’t so much impress with extravagant gestures aimed solely to fill every inch of the 2,000-seat auditorium, but rather she drew the audience beguilingly into her intimate psychological zone by way of a peculiarly understated, yet undeniably magnetic, charm. Consequently, her pianism revealed itself in its best light in the elegiac solitary episodes of the Andante con moto, soft utterances of exquisite introspection which she moulded with a loving tenderness. The string section’s strident ritornello-style interjections, which alternated with Fiorillo in this brief essay of repose, displayed rich, sonorous tones. Indeed the BSO played its supportive role admirably for the whole concerto.

The Consecration Of The House overture is by contrast a far more bombastic flurry of Baroque-inspired counterpoint and fugal tapestry. Bassoonist Supakorn Taengnoi delivered a fiendish filigree passage skilfully, while principal trumpet Vanich Potavanich fronted a brass section that revelled and shined in Beethoven’s majestic C-major blaze of festive exuberance.

Similarly with the great Eroica symphony itself (except on a far larger canvas, of course), the entire BSO was in fine fettle once again, as the audience was treated to Olivieri-Munroe’s robust interpretation of what BBC Music Magazine has this year named the greatest symphony of all time. One-hundred-and-fifty-one conductors worldwide were surveyed in order to come to this bold assessment, many of whom would have no doubt approved of Olivieri-Munroe’s penchant for more-hasty tempi than those of many familiar recordings.

Traditional expectations of occasionally overindulgent rubato, and the often correspondingly laborious unfolding of themes, were swept aside here with an unabashed conviction that Beethoven’s own intentions, as regards tempi, were more likely directed by an ever-present imperative of forward momentum.

The first-movement exposition repeat was thankfully observed in order to balance temporally the unprecedented scale of the immense development section at the time of its composition, and a sheer exhilaration was transmitted among the orchestral ranks and to the audience itself as substantial technical challenges — only heightened by the more urgent pacing — were met confidently and competently.

Naturally, however optimistic Beethoven may have felt at any particular time during his tumultuous existence, there are always apt to be episodes of turmoil and strife that break through. Indeed, the colossal Marcia Funebre movement which follows surely ranks among the most satisfyingly cathartic outpourings of impassioned melos in the whole of Western music. Principal oboist Damrih Banavitayakit played the heart-wrenching funeral march theme here with the admirable phrasing and tone for which he is known.

The horn section was positively spotlighted in the Trio section of the jovial Scherzo, with Supreeti Ansvananda leading his team here in a clean rendition. Meanwhile the string ranks settled nicely into their hushed spiccato Scherzo motor rhythm, a passage which always proves to be an acid test of fine, controlled restraint.

The same holds true for that most famous of opening themes, which so importantly sets the expectant atmosphere necessary for a successful unfolding of the finale’s variations. The tautness with which the BSO delivered these introductory phrases ensured that the great Eroica‘s increasingly frenetic orchestration was then able to reveal, step by step and with clarity, the structure’s incredible symmetry.

Inevitably reaching an explosive conclusion, this evening proved to be yet another triumph for Bangkok’s most treasured classical music institution.

 

This source first appeared on Bangkok Post Lifestyle.


Season of Love

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A scene from Lom Haijai: The Musical. Photo courtesy of Scenario

Love is in the air. For theatregoers who crave heart-wrenching, tear-jerking romance filled with different flavours of love tunes, the revival of Lom Haijai: The Musical (The Breath) is here for you.

The inspirational story of a film director whose untimely death leaves those he left behind in tears is the plot of this jukebox musical featuring Boy Kosiyabong’s pop hits from the past two decades. Produced by Scenario, the revival, with an entirely new cast after its first staging seven years ago, still manages to turn audiences with laughter and tears through its three-hour run time.

Napat “Gun” Injaiuea and Nuengthida “Noona” Sophon charm with their sonorous voices and powerful belting, though their acting appears to resemble that of Patiparn “Mos” Pataweekarn and Nicole Theriault in the original run. Although this could be interpreted as the standardised production, it does hamper the chance of the two actors to shine with their own interpretation. In fact, Nuengthida’s character does not go beyond that of an ordinary girl yearning for lost love. This results from the typecast acting as well as a script that tells about, rather than shows, real love for an ill-fated man.

Making their debuts are pianist-cum-singer Saksit “Tor” Vejsupaporn and Arisa Homkrun. Both did a fair job, but they could have done better than offering superficial stock characters if they had worked harder on characterisation.

The ensemble of 15 members is the spice of the show. But stealing the limelight is the experienced singer-cum-actress Thanaporn “Parn” Wagprayoon. Rising to stardom in her theatrical debut with Dreambox’s Dreamgirls in 2012, here she brings her fierce energy and powerhouse lungs to the Muangthai Ratchadalai stage, where she plays a brash bar-owner who witnesses the leads’ ups and downs. Her portrayal appears quite natural, refreshingly different from that of Radklao Amaradisha in the original staging.

The musical also offers a glimpse of West End productions, namely, a plot more or less similar to Ghost: The Musical, a dance number similar to those in Singin’ In The Rain, and three singing nuns from Sister Act. Still, such loans are well-synced to the story and give it colour.

In the revival, music composer Boy Kosiyabong has added sweetness, with a couple of new songs and modern sound arrangement for his pop hits, such Lom Haijai (The Breath), Home, Prod Thur (Please), Live And Learn, and Ruedu Thi Tak Tang (Different Seasons). But the most outstanding and impactful number is Rak (Love). Just a few notes of its interlude in Act I sent the audience into a swoon. In Act II, when the two lovebirds reunite in spirit, the song uplifts the show with euphoria.


 

This source first appeared on Bangkok Post Lifestyle.

One for the books

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Photos courtesy of BooksActually

Bangkok just can’t get enough of literary input, and we are talking about just the month of August alone. Last month there was the Bangkok Book Festival, and ongoing until this Sunday is the much-hyped Big Bad Wolf Book Sale, offering 60-80% discounts on 2 million copies of English language books from every imaginable genre. It’s a fair where many have spent money on books they probably won’t get to read in this lifetime.

The ONEDAY x BooksActually Book Showcase is another literary event to look forward to this weekend, and it might be a bit of change that we need. For while the likes of the Big Bad Wolf Book Sale or the National Book Fair that we have twice a year seem to be thriving, they don’t necessarily reflect and promote the strength of Thais’ reading culture.

A visit from BooksActually, as one of the leading independent bookstores in Singapore, then, is to be welcomed, especially since it’s the time when many independent bookstores in Thailand are struggling for a more self-reliant and sustainable business model, with the industry still largely controlled by a few corporate giants. BooksActually is not only a thriving business, but also boasts its own publishing arm, Math Paper Press, which actively supports and promotes the poetry, short fiction and photo collections of Singapore’s writers and artists.

The two-day event, to be held at ONEDAY | Pause and Forward, hostel and co-working space on Sukhumvit 26, features Singapore Literature Prize winner Cyril Wong, and Pooja Nansi, curator of Speakeasy, a monthly spoken-word and poetry showcase. They will also be reading their poetry, and speaking about the craft of writing at the event. BooksActually’s owner Kenny Leck, who said that he chose Bangkok as the venue because of the city’s vibrant and growing literary culture, will be speaking about founding and running a bookstore, and the publishing climate in Singapore.

Books published by Math Paper Press will also be available for sale at the event, together with silkscreened tote bags and translated poems of Pooja Nansi and Cyril Wong on postcards created specially for the event.


Cyril Wong and Pooja Nansi. Photo courtesy of BooksActually

 

This source first appeared on Bangkok Post Lifestyle.

Olympian in their glory

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To celebrate the excitement of the Olympics, Omega has unveiled three special timepieces inspired by the glory, triumph and unbreakable unity that brings the world together. The three special Omega “Rio 2016” Collection consists of the Seamaster Diver 300M Rio 2016 Limited Edition, the Seamaster Bullhead Rio 2016 Limited Edition and the Speedmaster Mark II Rio 2016.

Omega Seamaster Bullhead Rio 2016 Limited Edition.

SEAMASTER DIVER 300M RIO 2016 LIMITED EDITION

Rio de Janeiro is a city full of life. It is the first place in South America to host the Olympic Games. Inspired by this dynamic spirit, Omega has created the sporty and elegant Seamaster Diver 300M Rio 2016 Limited Edition. Beginning on the city’s famous beaches, the brand has taken the wave pattern from the mosaic design on Copacabana’s sidewalks and used it as inspiration for a similar style on the watch’s lacquered black dial.

The uni-directional rotating diving bezel is also black, this time made from black polished ceramic. However, what truly sets this feature apart is the lacquered numbers in red, green, yellow and blue — representing the exuberance of Rio as well as the five colours of the famous Olympic rings. On the reverse side of the polished and brushed stainless steel case, the screw-in caseback has been stamped with the Rio 2016 logo and engraved with an individual Limited Edition number.

Other features of this timepiece are typical of the iconic Omega Seamaster 300M style. These include a date window at 3 o’clock, a helium escape valve at 10 o’clock, and polished faceted skeleton rhodium-plated hands coated in white Super-LumiNova. Presented on a stainless steel bracelet, the timepiece is driven by Omega calibre 2500 and is water resistant up to 30 bar. This celebratory watch is limited to 2,016 pieces.

SEAMASTER BULLHEAD RIO 2016 LIMITED EDITION

Already standing out for its iconic style and design, the Bullhead Rio 2016 is a unique celebration of heritage, precision and sporting excellence. The name “bullhead” was originally a nickname, coined by watch collectors who admired the shape of the timepiece, and concluded that it indeed looked like the head of a bull.

The watch is recognised by its blue leather strap with multicoloured stitching in yellow, green, red and black, linked directly to the Rio 2016 logo. Representing the famous Olympic rings, this colour theme is also continued on the rotating inner-bezel to convey the unity that the rings signify. The Bullhead Rio 2016 also features a white dial, as well as a central chronograph seconds hand, and a 30-minute recorder at 12H. Built with Omega’s Co-Axial calibre 3113, and stamped with the Rio 2016 logo on the caseback.

SPEEDMASTER MARK II RIO 2016

Inspired by the 1969 model of the original Omega Speedmaster Mark II, the polished and brushed stainless steel case is barrel-shaped and has a polished crown and pushers. A matt black dial features a 30-minute recorder at 3 o’clock, a 12-hour recorder at 6 o’clock and a small seconds sub-dial at 9 o’clock. The sub-dials are decorated with a bronze ring, 18k yellow gold ring and 925 silver ring respectively — a design that recalls the medals awarded to Olympic Games champions.

The transparent tachymeter scale on the sapphire crystal is illuminated from beneath by an aluminium ring filled with Super-LumiNova. The varnished white and black hour and minute hands, chronograph seconds hand and hour markers are also coated with Super-LumiNova, making the Speedmaster Mark II the first watch in Omega’s collection that makes it possible for the wearer to see the tachymeter scale in the dark.

The watch is powered by the Omega calibre 3330 equipped with an Si14 silicon balance spring and a Co-Axial escapement with three levels. The screw-in caseback is stamped with the logo of the Rio 2016 logo and the limited edition number of the wristwatch. Only 2,016 pieces are produced.

Omega Speedmaster Mark II Rio 2016.

Caseback of the Seamaster Diver 300m Rio 2016 Limited Edition.

Omega Seamaster Diver 300M Rio 2016 Limited Edition.

 

This source first appeared on Bangkok Post Lifestyle.

En pointe, it's a night of ballet in Bangkok

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Photo: Anton Zavjyalov

‘On with the dance! Let joy be unconfined!”

Who composed that so-familiar quote? Ironically, it was a poet with a bad foot, an Englishman who probably couldn’t even do a waltz. But Lord Byron knew of what he spoke, since his life had the excitement of a grand ballet.

And Bangkok music-lovers, who have pleaded with the Bangkok Symphony Orchestra to present an evening of ballet, will have their wishes granted on Aug 26. Not only music from the world’s greatest ballets, but a series of dancers from the famed Perm Tchaikovsky Opera and Ballet Theatre, among Russia’s finest.

The Perm Theatre may not ring bells (or tap feet) like the name Bolshoi, yet Russians know the theatre as “Tchaikovsky’s House”, since all the stage works of Pyotr Ilyich Tchaikovsky, who was born in the region, are presented in its repertoire: 10 operas and three ballets. In fact, the Perm Theatre Festivals of Tchaikovsky’s works are notable cultural events of the country.

And ballet-lovers certainly know the name of its most celebrated prodigy — Nadezhda Pavlova of Moscow’s Bolshoi Ballet. Actually, many of Russia’s most famous stars were launched in the Perm Theatre, for, during the World War II, the great theatres and schools of St Petersburg (then Leningrad) were moved to the city of Perm, 1,100km east of Moscow. And the Perm Theatre, created in 1870, was their home.

While there, the Kirov staged several ballet premieres at Perm’s stately 19th-century theatre, including Khachaturian’s ballet Gayaneh. When they returned to Leningrad, their influence was felt in the Perm Ballet company, which has given the group an international reputation, just below those of Marinsky and Bolshoi.

And a quintet of dancers will be in Bangkok performing some of their most famed repertoires. Perhaps most renowned — certainly in Russia — are Inna Bilash and Nikita Chetverikov. Last year they made headlines after winning first prize in a televised contest for the ballet counterpart to Dancing With The Stars. In this case, the featured dancers from all of Russia’s ballet companies performed, but this duo easily won the most plaudits.

Bangkok will see them for themselves, and one expert described Nikita Chetverikov as “noted for his noble bearing. He is one of the princes of Russian ballet”. His partner, Inna Bilash is described as “touching, delicate, lyrical, with long arms and lines”.

Ruslan Savdenov and Aleksandra Surodeeva are another famed duo, known throughout the world for their Swan Lake performances.

Their ballet performances here encompass both the French and Russian ballet classics. Tchaikovsky is a natural, with two pas de deux, one of them from the George Balanchine production of Variations On A Rococo Theme. The Russian composer will also be represented by another dance for two, from The Nutcracker. Finally, one of the most difficult ballets in history, Le Corsaire, with music by Adolphe Adam. The pas de deux of Conrad and Medora will be the climax of this evening, for the ballet itself is based on the same Lord Byron who gave the opening quote.

The conductor of the evening, Martin André, recently celebrated 30 years of conducting opera, ballet and concerts internationally. He has the distinction being the only conductor to have performed for all the major British opera companies, including Glyndebourne, Scottish Opera, English National Opera, Opera North and the BBC. He was also music director of the English Touring Opera.

Internationally, he has worked with the major orchestras of Europe, Israel and Australia, as well as Canada and the United States.

Maestro André is celebrated around the world for his concerts of Mozart, Tchaikovsky and Janáček (he gave the North American premiere of a Janáček opera in Vancouver), but his interests are manifold.

Thus, he will be leading the Bangkok Symphony Orchestra on Aug 26 with a series of important operatic and ballet interludes. Included will be a rare performance of Dukas. Not The Sorcerer’s Apprentice, but an uncommon work, Fanfare from La Peri. From the operatic world will be overtures to Offenbach’s Orpheus, Glinka’s Russlan And Ludmilla, Bizet’s Carmen, Mozart’s Abduction From The Seraglio, and the Intermezzo from Mascagni’s L’amico Fritz. From the world of ballet, the BSO will present two pieces from Delibes’ Coppelia, including the famed Waltz Of The Hours.

The evening, yes, will be devoted to music from the 19th-century operatic and balletic worlds. Yet with the entrance of the Perm Tchaikovsky, Bangkok will experience an evening led by artists who come from Russia not only with love but with lighter-than-air leaping, sparkle and brilliance.

A Night At The Ballet

Friday, Aug 26, 8pm at Thailand Cultural Centre, Main Hall

Ticket prices: 500 1,000, 1,500, 2,000 and 2,500 are available at ThaiTicketMajor Tel: 02 262 3456 or www.thaiticketmajor.com

BSO Office Tel: 02 255 6617-18 or www.bangkoksymphony.org

20% discount for Bangkok Post readers

50% discount special for students

 

This source first appeared on Bangkok Post Lifestyle.

Tribute to Rio 2016

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As the world’s attention turns to Rio de Janeiro, Omega has assumed its duties, for the 27th time, as the official timekeeper of the Olympic Games — sending around 480 tonnes of equipment, miles and miles of cabling and 450 timekeepers in order to serve the dedicated athletes who are competing on one of the biggest stages of their lives.

The starting block.

As athletes become faster and stronger, Omega has also advanced its own strengths and abilities in the world of timekeeping. Three technologies in particular have seen a great evolution — starting pistol, photo finish camera and photoelectric timing.

Electronic starting pistol.

The problem with the original design of the starting pistol was that sound travels slower than light. That meant the racer closest to the pistol had a slight advantage because they would hear the start signal a fraction of a second before everyone else. And the racer furthest from the pistol would be at the greatest disadvantage. This is a big issue when every millisecond counts. Today, the iconic start pistol is fully electronic and is composed of a flash gun and a sound generation box. It is connected to speakers positioned behind each racer so that everyone hears the start signal at exactly the same time. When the starter presses its trigger, three things happen simultaneously: a sound is “played”, a light flash is emitted and a start pulse is given to the timing device.

This year, Omega has advanced the capabilities of the photo finish camera with the debut of the Scan ‘O’ Vision Myria. It is the combination of a time detector and a chronograph and can take up to 10,000 digital images per second using a high-tech image-capture device. Improved light sensitivity means that the quality of images is about four times better than previous versions of the photo finish camera and thanks to its compact size it takes less time to assemble and disassemble.

For the photoelectric timing, Omega has introduced the next generation of photocells in athletics. While two cells have previously been used on each finish line, this has now increased to four, all integrated into one unit, and positioned on the finish line of the athletics events. This addition means that more body patterns are able to be detected as an athlete crosses the line and the accuracy is therefore improved in the final moment of the race.

Other innovations introduced by Omega at the Rio Games include the new and improved hi-resolution scoreboards; new software for the false start detection system; new golf scoreboards equipped with radar measurement systems; and the new archery targeting system with a built-in scanner.

Omega has been the official Olympic Games timekeeper when all events were timed with just 30 stopwatches. Today, it is a very different undertaking, requiring tonnes of equipment and a huge team of highly-trained timekeepers and skilled volunteers.

The Scan ‘O’ Vision Myria.

 

This source first appeared on Bangkok Post Lifestyle.

Virgin Active bulks up local chains

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Virgin Active (Thailand), the local operator of the Virgin Active fitness chain, will open 16 new fitness clubs in suburban Bangkok and major provinces by 2021.

That will give it 20 branches in Thailand and will require investment of 5.2 billion baht. It has four gyms now: at Empire Tower on Sathon Road, Emquartier, CentralPlaza Westgate and Siam Discovery malls.

Matthew Bucknall, president and founder of Virgin Active Group in the UK, said he was confident the Thai operation will have rapid growth as the country surprisingly has the highest utilisation rate of active members in its global network, meaning those members who come to the clubs at least four to five times a week.

“Thailand is our primary investment focus together with Singapore in Asean,” he said.

The UK fitness chain plans to invest 2.6 billion baht to open 10 more fitness clubs in Singapore.

In Thailand, the latest branch at Siam Discovery worth 325 million baht was just opened on Aug 15 and gained attention for its size. At over 5,000 square metres, it is considered one of the biggest Virgin Active fitness clubs.

Each of the company’s branches should break even within six to nine months, depending on the size of investment.

Mr Bucknall said he wanted Virgin Active to become the Thai market leader in a few years, overtaking Fitness First and We Fitness Society.

The company targets generating 300 million baht per branch within three years.

Virgin Active has 4,700 active members at its club at Empire Tower in Sathon, 4,000 at Emquartier and 2,700 at Central Westgate. Some 90% of members are Thais.

The club’s strengths are an indoor swimming pool, rock climbing activities, six workout studios with 200 classes a week, a Himalayan salt inhalation room to cleanse the respiratory system and high-tech facilities, he said.

Its fee structure differs from competitors, charging 3,000 baht for entrance and a 700 baht weekly fee but without a long-term membership commitment.

Virgin Active plans to open its fifth club at CentralFestival EastVille on Praditmanutham Road in December, boasting the first fitness club for children in Asia there.

 

This source first appeared on Bangkok Post Lifestyle.

Forget historical accuracy, this is all about Hrithik's abs

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Mohenjo Daro | Starring Hrithik Roshan, Pooja Hedge, Kabir Bedi. | Directed by Ashutosh Gowariker. | Limited release at Major Ekamai, Rama 3, Pattaya and EGV Maesot. Photo: MVP Entertainment

This obviously isn’t going to win any Academy Award nominations. Director Ashutosh Gowariker may have been lauded for his taxing period drama Lagaan, which earned a nomination for the Oscar’s Best Foreign Language Film in 2002, but his latest film, Mohenjo Daro, is a clichéd period epic that offers a confused peek into the past of a place that is now a Unesco World Heritage site. I mean, if you want “exotic” costumes, epic sets and a hero-unknowingly-related-to-this-city plot, this is just the thing.

Set in 2016 BC in what is now modern-day Pakistan, the film takes place at Mohenjo Daro and is supposed to offer insight into this magnificent city that was once the most advanced of its time. What might have gone down in this glorious civilisation and what caused it to fall? The visuals aren’t too bad in this earth-toned Mohenjo Daro, although the tale that goes on in it is one we’ve all heard of before.

This Hrithik Roshan vehicle makes darn sure you see that he has more muscles than a horse, when the film opens with him single-handedly killing a crocodile in a river gorge. Playing an indigo farmer called Sarman, he is in for the adventure of his life when his uncle finally allows him to visit the nearby big city, Mohenjo Daro.

For someone who grew up in the middle of nowhere, Sarman is obviously mortified to witness farmers like himself get taken advantage of in the big city, and thus begins his rally to eventually overthrow the city’s tyrannical, gold-hoarding premier, Maham. Kabir Bedi is the cartoonish villain who talks in big, booming dialogue, made even more historically questionable with the horned helmet that he sports. In fact, there’s all sorts of turbans and headgear going on here, and Sarman’s love interest flaunts the most conspicuously eye-catching beaded bustiers and headdresses, even if probably historically inaccurate.

His lady love, Chaani (Pooja Hedge), is a high priest’s daughter and the Chosen One destined to lead the New Order, but doesn’t really do much beyond standing around looking pretty in her ridiculously immaculate headdress that accommodates a whole season’s growth of flowers, stones, coins, beads and feathers. There isn’t much of a plot line for Hedge to work with, but then again, she did get some lip-locking time with Sarman (about as sizzling as watching your phone recharge) and what looked like the most fake crying scene ever. No story here — being the token ancient hot chick is about as far as Hedge’s part will go.

Of course, it’s not a complete period epic without some gore and pulling a Moses, so they also throw Sarman into a gladiator-style pit and unleash some horrid natural disaster where he has to save a whole city of citizens. His physical dexterity is a thrill to watch, and the action scenes do keep you on the edge of your seat, along with the dance numbers that remind us that before there were Korean boy bands, there was Hrithik Roshan.

He’ll discover some secrets, too, even if nothing is too deep or profound. It’s hardly fresh and could have been a lot more, but it’s all still entertaining if you can overlook the tacky CGI crocodiles and unicorns. If you’re looking for close-ups of Roshan’s abs/biceps/chest hair, don’t mind a somewhat confusing look into an Arabised Indus Valley civilisation and full points on the headgear game — then yes, you’ll be digging Mohenjo Daro.

 

This source first appeared on Bangkok Post Lifestyle.


Short Film Fest celebrates 20 years

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Celebrating its 20th anniversary this weekend, the Thai Short Film and Video Festival holds high its faith in small, personal movies. The longest-running film event in the country, the festival has over the years grown in size, scope and participants (as well as length, showing a programme of long films too), though at heart it remains a free-for-all showcase of student and independent films, as in its first edition in 1997.

Back then, there were only 30 entries in the film and VHS format. This year, over 600 films have been submitted in two main divisions, all in digital. As usual, the festival showed everything sent to them in late July at a preliminary “marathon” screening, and the actual festival showing the finalists will run from this Saturday until Aug 28. The venue is at the Film Archive in Salaya tomorrow and Sunday, and from Aug 23 at Bangkok Art and Culture Centre.

The highlights are the two main competitive sections — the Chang Phuak programme, regarded as the most prestigious contest of student film in the country, and the Ratana Pestonji programme, open to general filmmakers. (This year, the section plays host to some big-name directors as well newcomers.)

Made without (or with very little) commercial pressure, these films are a sanctuary for stories untold in big-studio movies. The sometimes-eccentric, sometimes-political and altogether personal character of the entries have always been the main attraction of the festival during its two decades, as well as a major contributor to social reflection.

The festival also sets aside sections for documentaries, animated shorts, queer shorts and children’s films as well as international titles curated from various sources (particularly the S-Express section, featuring short films from Southeast Asian countries, and a selection from Clermont-Ferrand, the world’s leading short-film festival in France).

Besides short films — which by definition must run fewer than 30 minutes — the festival has for many years expanded its slots to include feature-length independent films that are highly unlikely to find regular release.

In this edition, some of the highlights are Bangkok Stories, an ensemble project in which six filmmakers each make a short film based on six neighbourhoods of the capital (Sukhumvit, Silom, Khao San, Chinatown, Mo Chit and Pahurat); Kwan Sao Khong Poot Phee (Insurgency Of A Tapir), a long-gestated project based on the writings of award-winning novelist Daen-aran Saengthong; and River Of Exploding Durians, a Malaysian film by Edmund Yeo.

In short, the programme is so vast that you have to look up the details at www.facebook.com/ThaiShortFilmVideoFestival. Even better, you can just pop into the screening room — there’s always something worth watching on the screen.


 

This source first appeared on Bangkok Post Lifestyle.

East meets West

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The day has come when Sunday brunch hunters in Bangkok are so desensitised by the plethora of food most five-star establishments are offering that they cannot tell each of them apart cuisine-wise.

The live home-made pasta station.

They serve up almost identical varieties of victuals. Whether its top-of-the-line seafood, outstanding choices of red meat and poultry or exclusive repertoires of cheese and charcuteries. This is not to mention all-time favourite cuisines, namely Thai, Japanese, Chinese, Western-style barbecue and Italian pasta.

Some discerning epicures have known that if they want their weekend feast with promising highest-standard Japanese fare — the sushi and sashimi in particular — Up & Above at the Okura Prestige Bangkok is the place.

Blessed by the sky-high ambience and panoramic view of the city, Up & Above is an all-day dining restaurant decked out in contemporary style and on the hotel’s 24th floor.

The spacious venue was fully packed with local families and international expats on the Sunday I visited. Its neat line-up of Sunday repast showcased international selections of culinary luxuries and creations.

The chilled seafood corner served Maine lobster, giant Alaskan king crab legs, mud crabs, white prawns and Manila clams. The oyster station boasted selections from France, Australia and United States, to be shucked freshly upon order and served with condiments.

Maine lobster with frothy beurre blanc sauce.

While the Western appetiser station featured, for example, beef carpaccio with rocket leaves and Pecorino cheese; scallops with avocado; grapefruit and asparagus with orange mousseline; duck liver parfait; duck rillettes; wild boar terrine; Caesar and Arabic salads.

That was complemented by a line-up of charcuterie and cheese, where 18-month-aged San Daniele prosciutto, Milano salami, Parma ham and Apuglia burrata as well as an impressive selection of imported and house-made cheese were on offer.

There is a wide range of salads.

Representing the warm dish section were braised kurobuta pork belly with soy glaze, free-range chicken with mushroom fricassee and potato confit, snow fish with fresh herbs and steamed sea bass with a spicy sauce, to name a few. The carving station, on that day, featured wagyu beef Wellington and porchetta (Italian roast pork).

For lovers of Thai flavours, there was also a nice range of Thai dishes, including sour and spicy Thai beef salad, spicy seafood salad, deep-fried crab spring rolls, curry crab and roasted duck curry.

The pasta station was where guests were entertained by a live-demonstration of pasta making. The housemade fettuccine and ravioli are prepared to the guests’ preference with choices of sauce and toppings.

I’m sure you cannot find a better selection of sushi and sashimi, in terms of variety and quality, from other buffet feasts in town, than the common nigiri sushi, maki sushi (rolls) and uramaki (inside-out rolls), or arrays of innovative temaki (large cone-shape sushi) or aburi sushi (sushi with flash-seared topping).

While the sashimi choice is guaranteed to please connoisseurs with various choices of top-grade Japanese fish and seafood, including hamachi (yellow tail tuna), unagi (sea eel), maguro (tuna), saba (mackerel), salmon and squid. Guests can order from the à la cart menu, as well. Dishes are Western-style classics with a Japanese touch, to be cooked and served piping hot from the kitchen.

The options include poached eggs in butter on brioche with sautéed mushrooms and truffle oil; foie gras with carrot purée, lotus root and ginger jus; Maine lobster with yuzu beurre blanc and asparagus; and Dutch veal loin with potato mousseline, ratatouille and black olive jus.

The cheese corner features a wide range of classic and innovative cheeses.

Meanwhile, the dessert counter is extensive with an international choice of sweet delicacies.

Up & Above’s Sunday brunch, which includes a full buffet, à la carte selection and non-alcoholic drinks, is priced at 2,300 baht per person. Brunch with free flow selected wines, local beers and cocktails, is priced at 3,000 baht per person. Reservations are recommended.


Sunday Brunch at Up & Above

The Okura Prestige Bangkok, 24th floor, 57 Witthayu Road
Call 02-687-9000
Opens noon to 3pm on Sundays
Park at the hotel’s car park
Most credit cards accepted

 

This source first appeared on Bangkok Post Lifestyle.

Pokemon promotions

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Whether you like it or not, there’s no denying that the Pokemon Go craze is taking over Bangkok. With it also pops up promotions designed with trainers in mind. We scouted the city for places where you can catch Pokemon privileges.

+ Until Aug 31, catch a Pokemon anywhere in SO Sofitel Bangkok to receive 50% off on a dessert buffet during Cocoa Rush Hour (Mon-Fri 4-5:30pm, Sat-Sun 3-5:30pm) at Chocolab. Screenshot the sighting and post it in the comment of the hotel’s Pokemon Facebook promotion and present it to the Chocolab staff.

SO Sofitel Bangkok, Sathon Nuea Road. http://Fb.com/SOSofitelBangkok, 02-624-0000.

+ JW Marriott Bangkok offers up to 30% discount on baked goodies at Bangkok Baking Company, a lunch set at Tsu Japanese restaurant or Nami burger at Nami Teppanyaki Steakhouse for Pokemon trainers until Aug 31. Catch up to three Pokemons (each for 10% discount) within the hotel. Take a screenshot of the sighting, post it in the comment of the hotel’s Pokemon Facebook promotion and tag three friends.

JW Marriott Bangkok, Sukhumvit Soi 2. http://Fb.com/JWMarriottBkk, 02-656-7700.

+ Until Sep 30, Le Méridien Bangkok lures trainers in with free Pokemon pastries when they buy coffee at Latitude 13 and show the app. Or enjoy a come-3-pay-2 deal at Latest Recipe when you show a screen capture of Pokemon popping up at the hotel.

Le Meridien Bangkok, Surawong Road. http://Fb.com/LeMeridienBangkok, 02-232-8888.

+ Until Aug 31, Lim Lao Ngow gives every trainer who catches a Pokemon a free onsen egg. Take a picture of a Pokemon with some Lim Lao Ngow food and share it with the hashtag #LIMLAONGOW. The post with the most shares and likes wins a Pokemon Go Plus device.

10am-10pm. Lim Lao Ngow, Siam Square One, 5/F, BTS Siam. Fb.com /limlaongow, 02-115- 1435.

+ HYDE Cafe gives you one fizzy soda drink for free when your bill totals at least B350 and you share a picture of a Pokemon caught at the cafe with the hashtag #HYDECafe. This promotion is valid during weekdays until Sep 30.

10am-10pm. HYDE Cafe, Siam Square One, 7/F, BTS Siam. http://Fb.com/HYDECafe, 092-914-4426.

+ Wanderlust.Rooftop offers two-step trainer perks. Show a picture of Pokemon popped up at the restaurant to enjoy one Singha pint, half price. Post that picture and check in via Facebook or IG to receive 30% discount on three selected appetisers; Belgian fries, Black pepper chicken and Buffalo wings.

6pm-2am. Wanderlust.Rooftop, Thong Lor Soi 13. http://Fb.com/wanderlust.rooftop, 088-696-9445. g

 

This source first appeared on Bangkok Post Lifestyle.

Born, bred (and perhaps brewed)

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Deva Farm & Cafe Photos: Chumporn Sangvilert

The place looks like a regular house in the suburban Pak Kret district, roughly one-hour drive out of Bangkok. Look closer, however, the house appears unlived, more like a warehouse with some sort of operation going on inside, and a walk round to its backyard reveals five massive hothouses which span 1,600m².

The place is actually Deva Farm & Cafe, arguably Thailand’s first hops farm, and it has, since establishing the business last year, so far housed as many as 26 species of hop plant — the type of plant whose flowers are a key ingredient in beer brewing.

This farming initiative has come in a crucial yet controversial time: the past few years have seen a surge of popularity in craft beer — a term known for home-made beer or imported ones — among Thai producers and consumers while there’s still a law on prohibition on small-scale beer brewing in Thailand.

Deva Farm & Cafe co-founder Nattachai Ungsriwong. Chumporn Sangvilert

According to the law, beer brewing is only legal in two cases: with industrial-scale factory producing at least 10 million litres of beer per year, such as the two biggest Thai brands Chang by Thai Beverage or Singha and Leo by Boon Rawd Brewery; or with brew-pubs like Tawandang German Brewery, which produces and sells on-site at least 100,000 litres of beer per year.

For founders of Deva Farm & Cafe, Nattachai Ungsriwong and his brother Teerapat Ungsriwong, it all started simply with the passion in alcoholic beverages — wine, whisky and beer — until they came across imported beers like the popular Belgian wheat beer Hoegaarden many years ago. From then on, they started to seek out for a wider variety of imported beers ever since.

“There’s never one right definition for ‘craft beer’,” said Nattachai. “For me personally, it must be something that you create with love and care, and the commercial aspect of it is hardly part of the consideration.”

Both Thai Beverage and Boon Rawd Brewery, Thailand’s two biggest beer manufacturers, use imported hops. Nattachai believes that it is because the brands Chang and Singha produce lager beer, and the flavouring from hops in the recipe is not so much of an emphasis that they would invest in local farming.

Among basic ingredients like water, a starch source like malted barley and yeast for fermentation, hops work in beer brewing both as a preservative and flavouring agent. And this is where craft beer differs from mainstream lager beer. With craft beer, Nattachai said that a variety of hops is used, sometimes mixed together, in creating more distinctive characters.

“At first I just liked growing vegetables myself,” said Nattachai. “But then later I got to know more about beer and finally learned how to brew it. I heard that there have been attempts to grow hops in Thailand before. There’s also an idea that the plant cannot grow in this type of weather but I went ahead anyway and ordered hops rhizomes from the US just to experiment. It turned out that they have grown fine, and things got more serious from there.”

Among the 26 species of hops growing at Deva Farm & Cafe are Columbus, which is citrusy and slightly woody, Chinook, which is slightly spicy and very piny, and Centennial, which gives out a strong citrus aroma. Nattachai compared the plant to grapes in that it’s also a climbing plant that lasts as long as 10 years.

After four or five days of the rhizomes being buried in soil, sprouts will start to shoot out. After three to four months, the plant’s bines will grow up the strings or wires to the overhead trellis as high as 6-10m. In Europe or America, after the harvest of the flowers, the plants will be cut almost to the bottom as winter approaches. Because of Thailand’s warm weather, Nattachai said that the crop can enjoy a second growth cycle and consequently double its production.

The chance of small-scale beer brewing being legalised is slim, so Nattachai said he’s planning to export his produce to brewing factories in neighbouring countries like Vietnam, Cambodia and Laos.

“In terms of the quality, I think we can surely compete with hops producers from abroad,” said Nattachai. “First of all, it’s just like any other plant, different locations produce different tastes and characters.”

Nattachai said that it would take at least three years for the crop to reach its full potential in terms of taste. He speculated that the farm could produce as much as 1,400kg of hops per year.

Another way of making a business with his produce is a plan to open a brewpub right next to his farm soon. To be named Mitr-Sampan, the pub is co-founded with Wichit Saiklao, an army colonel, of Chitbeer, a bar on Koh Kret, considered to be the hub of Thai craft beers.

Col Wichit Saiklao of Chitbeer on Koh Kret. Chumporn Sangvilert

Since 2014, Col Wichit has been hosting a weekly class on beer brewing at the bar (Nattachai being one of his students) and has so far taught some 500 people, resulting in around 50 craft beer brands. Every weekend, craft beer lovers join at Chitbeer to taste new beers created by local producers. Strictly speaking, this is not entirely within the law, but Col Wichit believes in the academic purpose of his class — he wants to educate people and create a community of beer brewers, preparing for the day when prohibition is lifted.

“Craft beer has become such a hit in the past few years because like any other things in life nowadays, we want something that fits our individuality — what we eat, the car that we drive, the place that we go,” said Col Wichit. “And beer is part of that trend. With beers in Thailand, I think of the limited choice not as a problem but as a great opportunity.”

The plan for brewpub Mitr-Sampan is a testimony to this commitment, Col Wichit said. Eventually, the movement will move to the legal stage where Thai brewers will be invited to join in and showcase their talents.

Surprisingly, Col Wichit doesn’t think that beer brewing should be legalised right away as in other countries. He said that craft beer is an art, and “the content” by Thai brewers is to be perfected further.

“Maybe it’s some sort of psychological working, because it’s illegal, people are somehow driven to learn about beer brewing more and develop their craft further,” said Col Wichit.

“Just use common sense, our country has great diversity of resources, and our beers will have unique characteristics for sure — maybe we can use mineral water from Ranong province, perhaps the fruits from the South, and so on. The future of Thai craft beer will definitely be great.”

 

This source first appeared on Bangkok Post Lifestyle.

Cambodians ask spirits to help recover statues

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A Cambodian Buddhist prays towards the Tonle Sap River during a ceremony held Thursday to help to search for missing Buddha statues at Kean Kleang village, Kampong Chhnang province. (AP photo)

KEAN KHLANG, CAMBODIA – People in a Cambodian village held a religious ceremony Thursday to ask spirits to help them recover Buddhist statues that their ancestors said were buried in a nearby riverbed.

Buddhist monks joined about 500 villagers in the ceremony by the Tonle Sap River, where divers have recovered eight small statues of Buddha and say they spotted another that is about two metres tall. They asked the spirits of water and earth to help them raise any statues still buried as much as 20 meters (66 feet) underwater.

Ceremony organizers said stories passed down by villagers’ ancestors tell of the statues being buried in the riverbed hundreds of years ago to hide them from marauders from other areas or neighbouring Siam, now called Thailand.

“Not only me, but several villagers were told by our ancestors that those statues were buried several hundred years ago under the river opposite the site where we held the ceremony,” said Sieng Chan Heng, one of the organizers.

She said that when divers last month collected two small statues from the river, they also spotted the larger one, but were unable to bring it up. She explained that some villagers believed they were unable to recover it because they had not held the proper religious ceremony, which is Hindu in origin, a reflection of the diverse cultural influences in Cambodia.

“That is why today we did this ceremony and hope that the spirits of the water and earth that control the statue would pity us and grant us all those buried statues,” she said.

Senior Buddhist monk Duong Phong, who led the ceremony, said six more statues were recovered Thursday, and that divers also found clay objects used in everyday life presumed to be from the same era as the statues. All the materials are being kept at his temple, and the diving team of about a dozen people was to resume the search on Friday.

The village, 40 kilometres north of Phnom Penh, is in an area that historians refer to as Longvek, the capital of ancient Cambodia after the Siamese sacked Angkor in the 15th century. The statues are believed to date from the Longvek kingdom.

It is not unusual for valuable or sacred objects to be hidden in times of crisis, a practice that continued even in the 1970s, when the communist Khmer Rouge ruled Cambodia. Rumours of valuable buried objects sometimes set off frenzied treasure hunts.

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This source first appeared on Bangkok Post Lifestyle.

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